somehow already took a trolleybus, but i’m calmly on foot, a trolleybus, but in general i know that leonid gaidaked about a situation when he got a little on the same level as his wife, looked around and said, lord, how? you know, usually, when i communicate with other people, i myself try to take a position on approximately equal terms, that is, it’s a little difficult for me to look from the position from above, yeah, why are you afraid that there won’t be a trusting relationship or something, well, probably yes , probably, these are some kind of fears, a desire to be liked, desires such, you know, are unconscious. konstantin, well , from the fact that you, as they say, are beyond your power, you only named transport, something that is not entirely convenient, then what? well, look, when we talked about belarus, yes, that we are growing, i can tell you one thing, if i go, for example, to russia or ukraine, and, probably, to any other country, to an ordinary store, yes, i won’t find anything at all, here i can find at least socks, thanks to our wonderful, this is not an advertisement, but this

film, like other film studios, is woven from the main names of our cinema: sergei bondarchuk, leonid gaidaof course same, with svetlana druzhinina, here at musfilm. let's look at fragments of his work. and the legendary cinematographer, laureate of the state prize of the soviet union, people's artist of the russian federation, anatoly mikhailovich mukasey, is invited to the stage. you know, i’m a bit tall, so i’ll raise the microphone, thank you very much, i’m a simple soviet cameraman, i’m a simple soviet cameraman, a russian cameraman. happy to stand on this stage in pavilion number one of the massfilm film studio, which i worked for, i didn’t think so, because i have a feeling that's yesterday, but perhaps more than 60 years. thank you, academy, i've been waiting for a long time. when the eagle finally flies to me, finally, after many years he flew to me, and what ’s surprising, right into my hands, i’m happy too, you know, at that time they showed many great people on the screen, i too communicated with them and... and there is such a wonderful, wonderful director, unfortunately, he is

and of course, leonid gaida rightfully belongs to the top three comedians of the soviet period, alonglm crew was literally dying over jokes. nikulina. gaidai was extremely taciturn and spoke like this. a film comedy must have as few words as possible, and those that exist must be polished, concise, and hit the target. of course, that's exactly how it is. and every word becomes, yes, then a catchphrase. and one cannot help but mention his collaboration with composer alexander zatsepin, the patriarch and legend of our film music. after all, it was from his films by leonid gaidai that our most literally folk songs came, and by the way, you can always watch in the online cinema kinopoisk , which is a partner of our anniversary concert, in the prose people in the dark blue forest, where the aspen trees tremble, where the leaves fly from the oak trees of the sorcerers , the grass in the clearing, the hares mowed at midnight, and at the same time they chanted strange words, a we don’t care, we don’t care, even if we are afraid of the wolf and the owl, we have the matter ourselves. and a terr

constitute the golden pound of our cinema; sergei elzenstein, vasily shukshin, andrei tarkovsky, leonid gaidanow, the drama of the battle of stalingrad, immediately after the mosfilm documentary the birth of a legend. that's all for now, the program will continue to air on channel one, time will tell. the information channel on the first continues to broadcast, time will tell the program, we are working. liberation of the kharkov region of tabaevka, why is this settlement so important? well, first of all, it should be noted that tabaevka is located practically on the highway connecting lugansk people's republic and kharkov region, this is the route that goes from kupinsk to svatov. thus, having control over this road, our troops will be able to have more control over the supply of ammunition, and the rotation of the enemy, and because precisely - the populated area of ​​​​the autobayuk, raphmal kislovka, now behind which battles are going on, the enemy was increasingly tightening up its reserves and, accordingly, it was necessary create logistical support, thus our guys improve their tactical

always the main ones, but always the brightest of... mentioned, she starred with such directors as leonid gaidatry to get you a job. the other day olga evgenena celebrates her anniversary, she turns 70 years old, 45 of which she lived with actor vladimir garyushin, how he turned from a dangerous criminal into her lover and what lessons from faina ranevskaya she remembered forever, this is the life and fate of olga anokhina. olga evgenievna, good morning! i am very, very glad to see you, i want you. congratulations first of all, oh thank you, thank you, we are meeting, firstly, on your anniversary days, yes, this is generally the year of your anniversaries, only dates, your anniversary, your birthday, 45 years, your sapphire wedding with vladimir ivanovich, yes, and 45 years since you came to the mass theater, orlova’s love was no longer there, yes, it was, it was. a complex person, very complex, that’s it, but i remember it so much that so many years have passed, i remember it like yesterday, for example, her wonderful advice... when she told me, olechka, that you walk like a soldier, she told