lavrovsky. for a long time he remained the artistic director of the school. since 2006, the school has been named after his father, a national artist. ussr, leonidsky. his 1940 production of romeo and juliet with galina ulanova is an undisputed masterpiece. it was under him that the era of triumphant foreign tours of soviet ballet around the world opened. and absolute mutual trust and respect for their students helps teachers achieve real results. when i arrived, i didn’t fire a single teacher. i you know i left everyone, general education, special education, those teachers who worked here from the foundation. so they give us this wave of succession. for the teachers of the choreographic school named after leonid mikhailovich lavrovsky, it is important not only to teach young dancers to develop talent and hard work, but to preserve the traditions of russian classical ballet. alexandra bostritskaya, dmitry shestukhin, anton odarchenko and alena fillatova, vesti. a swindler suspected of a series of robberies of taxi drivers was detained in the moscow region. according to the investigator the attacker and his accomplice called a car. before driving

storage facilities; this is the original fabric, original paints from the first production by leonid lavrovskyia, comparable to a large theater. this is where the scenery is installed and the curtains are restored. now, for example, work is underway on a canvas for romeo and juliet. the ball was written back in the late forties of the last century. but they decided to sew the clothes again, the new costumes were created in the likeness of the authentic ones. few weeks it took to dress one of the main characters, mercutso. so there is a lot of work. the work is interesting, complex, voluminous, huge. we work even on weekends. lavrovsky personally checked the work of the sewing workshop. he himself played the role of romeo on the bolshoi stage. in this performance he is employed as a recovery buletmeya. the costumes are made wonderfully, the execution of the sewing department is wonderful. it was done very beautifully, i can’t say anything. well, let's look at the stage, at the rehearsal. mikhail lavrovsky's father created one of the most famous history of ballet productions by shakespeare. the

theater, the premiere of rameo and juliet to the music of sergei prokofiev and choreography by leonid lavrovskyof the theater center on strasnoy is showing mark vdovin's method performance based on the play by jardie galceran. in the historical and art museum of new jerusalem the exhibition project “master repin” is taking place, an episode from the life of a teacher of students on the occasion of the 180th anniversary of the artist’s birth. m of exhibition space brought together more than 100 works from the largest russian museum and private collections. the exhibition “don’t believe your eyes” has opened in the center of the hermitage kazan. the theme of the exhibition was illusions in art, deception. created in various genres and techniques, in fine and decorative arts from the 16th to the beginning of the 20th century. the slavic house festival ends at the samara opera and ballet theater named after shastakovich stake with a concert with the participation of vladislav sulimsky, anastasia moskvina, alexander mikhnyuk, daria gorozhanka. conductors evgeny khokhlov and artyom makarov. the shimk

balpurgis night. 1949 is wonderful soviet choreographer leonid mikhailovich lavrovsky staged this performancell the stars of the bolshoi theater ballet danced. raisa stryuchkova, olga lepshinskaya, maya plesetskaya, ekaterina maksimova, and of course wonderful partners. alexander lopauria, maris liepa, mikhail lavrovsky. very often ballet scenes had a life of their own and were performed as separate ones. numbers in concert programs, for example, walpurgis night was performed in england on other tours, when the question of what to do in 1956 was being decided? on tour to london, from there they brought romeo and juliet, giselle, masterpieces of world ballet, along with this they brought a fragment from gounod’s opera faust on alpurgis night, which literally created a sensation to such an extent that this fragment was filmed by cinematographers in england. operas by russian composers, mikhail ivanovich glinka, ivan susanin, polish ball, polones, mazurka, krakowiak in 1945 , the dances of the polish ball were wonderfully staged by the soviet on the stage of the bolshoi theater. she said very we

premiere of the ballet rameu and juliet to the music of sergei prokofiev and choreography by leonid lavrovsky conductor-producer anton grishanin. this is a restoration, but as lavrovsky himself said, when i had a conversation with him once, when he did, he says, everything can be changed and must be changed, the time is modern, it moves forward, you cannot change the meaning of what is being performed, that the image is certain, there is this image. shakespeare wrote everything, it needs to be shown, especially in the academic theater there are fully artists and music, and a choreographer and choreography, and of course artists who master the plasticity of the body, not just, so to speak, this is not a class-concert, dance, this is a meaningful dance, who has always been with us in the person of rermalaev, korn, by the way, modern artists, men and women, very talented people, they mastered in a month, besides saying, they mastered the technique, plastic, everything as it should be. mossovet theater on the stage under the roof, the premiere of the play the married bride based on the play by al