historian stanislav dezdinsky, and my colleague natalya ryabchikova, today we are talking with leonid yarmolnikguest, thank you, i am very pleased, if now it’s hard to look at being a god, what is it? , this is social criticism, these are radical statements, artistic, how should we treat the film today, and how to interpret it, how can you possibly explain it to your grandchildren? or are you explaining now what this movie is about, because well, it’s still too early for mine, they are still , well, in a few years, yes, because 3 hours is enough of such a spectacle filled with everyday details, sometimes very unpleasant, but how is it, that is, it’s like you really need to let it go through yourself, it’s better, of course, in a cinema hall, and not on a small screen, because a lot will be lost, but still, well, if my grandchildren will have teachers who decide that the whole class there or the whole course needs to be shown that picture, then i will be happy, because you really need to watch a movie in the cinema hall next to you, because when you watch in the hall next to you, then you are in