lesia ukrainka, i have to tell you that it is an incredibly strong work in general, and that i was aheater expert, because i wrote a candidate's thesis about it or the doctoral discipline, he managed to forgive me the actors and viewers of this theater to preserve the soviet theater in a specially chosen i would say in a specially chosen place in the city despite the fact that there are almost no soviet theaters left anywhere, you understand, not only in kyiv yes franka, let's say not the soviet types, we are now saying good or not bad, we are talking about the tradition of the attitude to the performance, the material, the caretaker, the atmosphere, is there a young theater, it is not soviet, it is in moscow. can we call these theaters russian sounds that were at least there before the beginning of this war, the leading theaters for many viewers in the post-soviet space there, the moscow art theater of the oleg tabakov period, the moscow art theater, or the snuff box, or the vakhtangov theater , or the lenkom theater, mark zakharov, these were not soviet themes, was moscow a soviet