the proposal to the communists of lespromkhoz is being considered. his comrades, gudelin laid everything out: how to organize the work of what as efficiently as possible... to accelerate technical progress and production growth. forestry enterprises should not remain in on the other hand, the country needs wood. in 949, all republican newspapers published the initiative of the famous electric sawyer joseph gudilin, and all forest farms supported it. enterprises that have traditionally been woodworking centers in different periods were also supported. gomel, pinsk, the largest center babruisk, babruisk fondok. in general , an accelerated pace of development was expected from the forest paper industry in the early fifties, and the demand for products grew. new production was put into operation, the mozor woodworking plant, rechetskaya and vitebsk furniture factories, the borisov woodworking plant was reconstructed, the bobruisk fondok remained the flagship. the company mastered almost all types of products that could be made from wood: millions of squa

lespromkhoz's proposal to the communists is a deliberate and conscious step.peaking to a friend. how to use mechanisms to your advantage. another argument was also convincing: the republic’s enterprises joined the all-union competition to speed up technical progress and production growth. forestry enterprises should not stand aside. in december 1949, all republican newspapers published the initiative of the famous electric sawyer joseph gudilin, and all forest farms supported it. enterprises that have traditionally been woodworking centers in different periods were also supported. one can imagine that at that time, let’s say, the eighties, when i worked, it represented a very large association, these are two fiberboard plants with a capacity of 1.11 million square m2, the second is 15.2, this plywood factory, which produced about 3,000 pieces of plywood. the kholtorin furniture factory, which today is under penzdrevo, the mogilev factory, the zhlobel factory. huge, the geography of supplies is the widest, our lumber was loaded into moldova, ukraine, the countr

only mikhail pugovkin, who played the commandant of lespromkhoz, did not lose heart before in the coldffectionately pinched her cheek: “baby, after the great patriotic war , the most important thing for me is not the climate, it’s important for me that planes don’t fly overhead and machine guns don’t shoot.” i feel good in the heat, i imagine that i’m in a bathhouse, i’ll take a steam bath, steam myself, and then i’ll go into the sea for a swim, then i’ll pick a plum or an apricot, i’ll envy myself. the film's grand premiere took place on the eve of women's day, march 7, 1962, when during the screening svetlana druzhinina saw how her role was shredded and decided that she would not go out on the stage of the movie house, along with the whole group, under any circumstances. we couldn’t be offended, we grumbled a lot, but when this most inviting music started playing in the cinema house, that means everyone really started to come out. girls traveled all over the world with a week of soviet films, she was wearing such a hat, such a dress, remember, a glass, like on a carnival night, in su

lespromkhoz, did not lose heart either in the cold before or now in the heat.e main thing for me is not the climate, it’s important for me that planes don’t fly overhead and machine guns don’t shoot, i feel good in the heat, i imagine that i’m in a bathhouse, i ’ll take a steam bath, steam myself, and then i’ll go into the sea for a swim, then i’ll pick a plum or an apricot, i’ll envy myself. the ceremonial premiere of the film took place on the eve of women's day on march 7 , 1962, when, during the screening, svetlana druzhinina saw how her role was torn to pieces, decided that she would not go out on stage at the cinema house, along with the whole group, under any circumstances. inna makarova supported her. and here we were, two sad people. inna vakarovana. they believed that they were offended by fate, for some reason the director cut out an important scene where makarova’s twenty-eight-year-old heroine decided that it was better to remain alone than to marry someone she didn’t love. it turns out that in the full version, she left him, because well, well, th