at that time, sayuz had only three such specialists: taisiya sava, fimneit and lidzia karmalskaya.he big band of kuzbass, and she set up the archestra, she lined up the trumpeters, the trombones had sex, well, that’s how we got to know each other, all the evenings we were busy, we were chattering, and here we have a geta stage, well, i’m saying that we had well... more than 10 concert jumps and 10 slumps that day, it's a lot more than 10 - it's accurate. ay-ah, but there are only archestras here, they come from us, oh, terrible, this is europe, and all the people have come and worked all the time in the philarome. well, what do you need to say, it’s small that yana is an outstanding artist, yana is an outstanding chalavek. lidziya alyakseevna karmalskaya was a favorite of the belarusian philharmonic society, this was taken from... the first editions of 1963, kali yana fell to the throne, and uladzimir mulyavina left a couple with her, yana put the leaflet on the side of the frame, then wrote: husband 22 bastards, prazue guitarists, yana married a simple guitarist, ale menavita karm

lidzia karmalskaya performed for an hour in the warehouse of the pesnyary ensemble, yana vyala. concerts hour vytsesnіih from the concert paddost. let us also understand these intricate and intricate practical scenes, which the holy saints, both incorruptible and unforgiving, created for our people emotions of joy, excitement, confusion and happiness. the names of these artists are part of history, and they are also part of the belarusian pop scene. they have a brilliant talent and a good practice, so that to capture their bright images is our cherished memory.