wise philologists wrote volumes and volumes of works in order to formulate all this, and elizaveta likhacheva, being an art critic with a great understanding of literature, well, now in the middle of our program, as usually happens, there is an author’s section, you of course remember that we are doing one of three things, either we show an old book, or we comment on some quotation from prose. or we read and comment on a poem , but today it is an old book, and we play fair, i, as a museum worker, under no circumstances ever bring museum objects here, of which there are many in the collection of our museum... our own library, no matter how they look , here i have a book by polon grigoriev, which has its own history, here are hundreds of thousands, but i’m just bringing books here from the cover, as we see, this is a poem by apollon grigoriev, but here there is an important note on the title, this is the cover, and i have the title page in my hands, it says here that alexander blok collected and provided notes, this is an important story, this 1916 move for the block is also very dramatic and i

that's how you can formulate a person’s need for art, being a poet, this is another formula from likhacheva goethas, goethas - this is certainly alexander sergeevich pushkin in russia, goethas in germany. as if, but he, we sometimes forget about this, he is an amazing lyrical poet, the most subtle, beautiful italian, when my daughter began to learn, like any soviet child, for me the german language is the language of the enemy, we were brought up on soviet films about the great patriotic war, and of course i was always interested in how poetry sounds in german, hertz, so i asked my daughter to learn german, i asked her to read schiller to me, i was always interested in hearing how he read in the original. this is an incredibly beautiful language, i didn’t expect, to be honest, a beautiful language, i must say that i didn’t expect it either, although i know, love and am friends with liza likhacheva, i honestly didn’t expect that liza judges so amazingly subtly, you judge about literature and today we had a wonderful guest, or rather a guest, i sincerely thank the director of the state museum

by the head of the savings bank, german gref, and the director of the pushkin museum, elizaveta likhacheva of the exhibition rouen collections. any technology today requires inspiration and where else. creative achievements of outstanding actors, directors, cameramen and artists. over the past 100 years, mosfilm has seriously transformed. today these are new buildings, filming sites, modern technologies, of course, a large database of props. during the work of the concern, some items were able to become famous in their own right. alexey kvashenkin was convinced of this. over its century-long history, musfilm has created a golden collection. heroes , villains, beauties, but not only the characters were iconic, but also the props, sometimes according to the author’s plan, as in the film battleship potemkin by isenstein, a hand -painted scarlet banner in every frame became a signal for a revolution in cinema, but often the object gains popular love by chance, why did you quit? horse, why did you and it suddenly lie down, no, we didn’t lie down, we fell off the horse. true, it’s not a talisman

of the state museum of fine arts named after alexander sergeevich pushkin, elizaveta stanislovna likhachevahy, in the official, not in the official , it is emphasized that you are an art critic, this is so, no one doubts it, but i don’t even know about art criticism, or art history how correct, art history after all, yes, although i head the department of art history, i must tell you, the school mkhat studios, art-knowledge, for you this is the love of painting. graphics, sculpture, architecture, this is science and research, this is a set of some skills in order to do something in life, what is it? well, it’s all together , well, in my opinion, love, you cannot become a professional in any field, including art history, if you don’t love what you do, i don’t see the difference here in biology, and even a turner is a good one or a mechanic must love his job, can i interrupt you, there was such a beautiful lady from... there are architects there whom i love very much or there are artists whom i love very much, like fragonard or the same mathis, yeah, but there are things that i don’t like, th

in a studio larisa likhacheva.in this family? lena was 6 years old. the parents came up with some kind of legend , as they explained, that’s where the six-year-old girl came from, well, i’ll tell you now, at first there was such a legend for those who didn’t know about it, that uncle kolya had a sister, she got into a car accident, well, such a case a misfortune happened, they had a little girl left, lena, so uncle kolya and aunt nina decided to adopt her, this was all invented in order not to traumatize the little girl lena and they believed in this legend? well, how can i tell you, those those who didn’t know this family, of course, believed, those who lived nearby like us, of course, knew the real truth, but it was there. she looks like her own, as if she were an uncle , i’ll tell you honestly, she was a copy of uncle kolya, even many who saw her and said, this is kolya’s daughter, this is lenochka, and lena herself knew the truth? at first she didn’t know about it , she accepted that yes, it was probably mom an