benedict gets a window so just glass to fred meyer hole fergie's the chief glazier at the workshop and lily ramish the glass painter. nice thought not so red yet it's good in school it's more green or grey. rules of torn here and this red shade here is very dominant this is not. it's not like that in the design. there is no red on the ground in the composition and that's important to me and why did i choose that it was this all red should be higher up here there's a reason why i did it like this and we must keep it that way. if we have read here we ruin the composition. good green or. no. when i've struggled with a glass and then we have to change it in the end afterall that's no good so let's change it from the very start right so i agree even if it's complicated it has to be done because we can't compromise here and say oh let's let it go there should be no compromises. but there is a problem only one small piece of the special glasses left will fred meyer who for be able to cut the necessary pieces from this one sheet of glass. how are. the biggest problem solved. fred meyer hole for 1st cuts t

gets a window so does glass ticker fred meyer hole fergie's the chief glazier at the workshop and lily ramish the glass painter. we thought not so red yet it's good in school it's more green or grey. was a torn here and this red shade here is very dominant is there none is too long it's not like that in the design. there is no red on the ground in the composition and that's important to me and why did i choose that it was this all the red should be higher up here there's a reason why i did it like this and we must keep it that way. if we have read here we ruin the composition. would be green or. no. one i've struggled with a glass and then we have to change it in the end afterall that's no good so let's change it from the very start right there so i agree even if it's complicated it has to be done because we can't compromise here and say oh let's let it go there should be no compromises. but there is a problem only one small piece of the special glasses left will fred meyer who for be able to cut all the necessary pieces from this one sheet of glass. how are. the biggest problem solved. sprea

lily ramish and fred meyer whole far from the glass works in munich have delivered the last sections. will be installed by local craftspeople. and i'm proud of my work it was a very exciting time it's an exhausting time but wonderful to. see if in the here it is finished what do i feel to taking from there for instance i think the artists technique these are some of the most beautiful windows i've made in my long career and mohawk and i have been doing this work for 40 years. this is it's indescribable for me to say it's beautiful to see action on such on. just in time for easter the work is completed. the last section of window is installed. c.s. and the prior inspector saudis work together. this. stuff i guess not said as it thrills the heart. it's really a very beautiful daughters this is the whole we sing god's praises everywhere and but it's 3 times more beautiful and we can do it in this space and that it's a gift from god goddess. i never thought when we started and were planning this project that we did she have a result like this we had some bold ideas but we didn't know how

benedict gets a window so disgusting fred my a hole further is the chief glazier at the workshop and lily ramish the glass painter. we thought not so red yet is good in school it's more green or grey. rules of torn here and this red shade here is very dominant is there none is too long it's not like that in the design. there is no red on the ground in the composition that's important to me and why did i choose that it was this or that red should be higher up here there's a reason why i didn't like this and we must keep it that way. if we have read here we ruin the composition. wood green or. no. one i've struggled with a glass and then we have to change it in the end afterall that's no good so let's change it from the very start right. i agree even if it's complicated it has to be done because we can't compromise here and say oh let's let it go there should be no compromises. but there's a problem only one small piece of the special glasses left will thread my a hole for be able to leave the necessary pieces from this one sheet of glass. how are. the biggest problem solved. fred meyer hole for 1

benedict gets a window so disgusting fred my a hole further is the chief glazier at the workshop and lily ramishthe glass painter. nice thought not so red yet it's good in school it's more green or grey. was a torn here and this red shade here is very dominant is there none. at all it's not like that in the design. there is no red on the ground in the composition that's important to me and why did i choose that it was as already should be higher up here there's a reason why i did it like this and we must keep it that way. if we have read here we ruin the composition. good green or. no. when i've struggled with a glass and then we have to change it in the end afterall that's no good so let's change it from the very start right. i agree even if it's complicated it has to be done because we can't compromise here and say oh let's let it go there should be no compromises. but there's a problem only one small piece of the special glasses left will fred meyer who for be able to cut the necessary pieces from this one sheet of glass. how are. the biggest problem solved. fred meyer hole for 1st counts of

benedict gets a window so disgusting fred my a hole further is the chief glazier at the workshop and lily ramish the glass painter. nice thought not so red yet it's good in school it's more green or grey. rules of torn here and this red shade here is very dominant this is none. at all and it's not like that in the design. there is no red on the ground in the composition of it that's important to me and why did i choose that is what is already should be higher up here there's a reason why i did it like this and we must keep it that way. if we have read here we ruin the composition. would be green or. know. when i've struggled with a glass and then we have to change it in the end afterall that's no good so let's change it from the very start right. i agree even if it's complicated it has to be done because we can't compromise here and say oh let's let it go there should be no compromises. but there is a problem only one small piece of the special glasses left will fred meyer who for be able to cut the necessary pieces from this one sheet of glass. how are. the biggest problem solved. fred meyer ho