how i have to also look beyond it if i want to write about other characters who are not part of a linage that has come from the internment camp experience. so in a long way of telling and responding to the question, it's simply there inside of me. just like part of your history. so it's easy for me to write about it. the key is that if i write about it now, both in terms of me as an artist and just for the interest of the audience, i have to find a new way to explore it. i have to find some way that affords new information to the people and a new approach for me so it doesn't get boring. i've written about this stuff for 30 years and if you are an artist, the point is not to keep -- for me, anyway -- to keep saying the same thing. the idea is to keep challenging yourself so you are always on sort of the edge of your own knowledge, you are always on the edge of your art form so that when you write and you write about a theme such as the internment camps and you have written about it before, you are always sort of exploring new ways to attack it, to approach it, so it keeps its relevancy t