not to cheat on her husband, in love, i am einstein, she noticed an actor for the role of helmut lioznythe power of the fascists and the german people, she loved to open actors the same bright one and never used. and the sky without you, oh! tatyana doronina sang exactly as iliozny asked, to break her soul, she loved and felt the music, amazingly accurately depicted the inner state of people with it, my god, this did not happen great love, but here she is sitting by the window, and he stands there all the time, everyone is crying, they don’t understand why, but everyone is crying, i studied, guys, sit down, i’m glad to see you. at the entrance exam in ovgik, tanya leoznova was shown a reproduction of savrasov, she immediately exclaimed: yes, this is grieg’s music. the director's talent was obvious to everyone. i can still sing and i can still dance. but that comes later. the old, quiet koluga with churches and wooden houses, where leoznova decides to film the carnival, really reminds her of the rowdy moscow back streets of her childhood. i completely rewrote this script. she remembered

mom, mom, to whom the main character returns at the end, who is sick, that’s absolutely the story liozny's husband in the flood on the plushie, he played in 17 years of spring, an uncharacteristic role for him, but the role of an american, and he said that at some point they did not learn the text with a partner, and there were 17 pages, they thought that somehow all this would be voiced, she forced them to learn it right there, spoke this text to them, and it really turned out very cool, because they understood it, they didn’t memorize it at home, yes, somehow they understood it, comprehended it, so she came up with some things in advance. she was very clear the elements she wants in the film are clear. she really wanted the carnival to have a song about a telephone, that is, it was a direct order, there would be a telephone. on the other hand, this little scene begins with the heroine sweeping the asphalt and at the same time training her diction, with these same pebbles and nuts. she came up with this during the filming process. arriving at the site, saying, let's try this. and it tur

i noticed the actor for the role of helmut liozny in a series about a scientist chemist. who did nott is important for me to separate the power of the fascists and the german people, she loved to discover the same svetlichnaya actors and never took advantage of their popularity for the sake of the success of the film, she adored magamaev, she adored him as a woman, but when magamaeva was sent to an internship, she caressed she crossed herself because she realized that she will be able to rewrite it, he is absolutely not... they all seem to be different, but they are all about the same thing, a sense of duty, everything, the sky lowered without you, tatyana daronina sang exactly as iliozny asked, to break the soul, she loved and felt music, and with amazing accuracy she depicted the inner state of people. my god, this great love didn’t happen, but here she is sitting by the window, and he’s standing there, that’s it, everyone is crying, they don’t understand why, but everyone is crying, but it happened, guys, sit down, i’m glad to see you, at the entrance exam in ovgik tanya lioznova

overheard song, in fact, flights, pilots, the sky, alexandra pakhmutova writes a song tenderness, lioznyhat this is what- then around this you need to do, and only then she comes across a script by alexander borshchugovsky, three poplars on a shabolovka, she wants, again, she thinks that she should direct... nonna murdyakova in this role, it’s difficult to find an actress, but when they asked her, why didn’t you murdyakov was removed? she thought that i would now record how nonna sings the song tenderness, this scene came to her mind, yes, the heroine sings this song, she sings like this in a folk way, like a woman’s, and she said, i ’ll record it and i’ll find nonna some actress who can sing to nonna when she they asked, why couldn’t you call mordyukova, she answered, well, what would it be like for her to take a man as a partner, that’s the weight and personality, the weight of an actress, who could be with her? play in partnership. tikhonov. perhaps, by the way, but it didn’t work out. and so they searched and searched and found daronina, who was extremely strict in her approach to th

not that surprising, but nevertheless, every time it is in general, work to overcome, at least for lioznyy even reproached her for this, and in some years the gorky studios hinted that she might to be somehow necessary, maybe to be more like a standard soviet woman with a job and also a family, and a career, yes, a career and a family, but she had a family, this is her mother, whom she took to filming, whom she brought to art adviсe. i always consulted with her about how the film looked, and this was her test viewer, it’s quite interesting, it’s rare in soviet cinema, well, i must say that lioznovy’s parents did not prepare her for a film career at all and in general there was not even a hint of this, on the contrary, they said that she needed to choose a reliable profession that would feed her all her life, and indeed at first such a profession, she had an attempt, she studied for a semester not so long, it seems, yes, it seems, a semester in aviation at an aviation school, yes -yes, yes, then it will go crazy a little. her biography, filmography, even so, biography of the director and f

in these photos we see the actors approved by liozny and those who never made it into the picture.the president for the role of maxim maksimovich isaev, stirlitz. i still don't know. this is her faith in me, which was expressed in her look at me, in the way she positively evaluates some of my attempts, at the audition, in short, in the end i was confirmed, there is something surprising in the hypnotic effect of liozny’s film on the people, considering that it was filmed against... women and languid cigarette puffs, and so no less, the whole country was in front of the screens. 17 moments of spring, i'm happy to watch it again and get stuck. i get stuck, she makes me watch, well, this is the strength of the director, many actors 17 moments, the ninth wave of fame are rapidly elevated to the peak of adoration of popularity, no one knew that there will be some kind of glory there, in seventeen moments olga soshnikova played the heartless gestapo woman barbara crane. there are rumors that it was this role that ruined her acting career. we asked olga ilyinichna if this was true. i was n

order not to cheat on my husband, in love, i am einstein, i noticed an actor for the role of helmut liozny is important for me to share the power of the fascists and the german people, she loved to discover actors, the same svetlichnaya and never she took advantage of their popularity for the sake of the success of the film, she adored magamaev, she adored him like a woman. i'm right, i make pictures all the time about the same thing, all the pictures, they all seem different, but everything, the sky has lowered all of you, oh, they are all about the same thing, about a sense of duty, my god, this great love did not happen, but here she is sitting by the window, and he is standing there all the time, everyone is crying, they don’t understand why, but everyone is crying, yes it happened, guys, sit down, i’m glad to see you, at the entrance exam in avgika, tanya lioznova was shown a reproduction of savrasov, she immediately exclaimed: yes, this is grieg’s music, the director’s talent was obvious to everyone. i can still do five more and i can still dance, but that’s later. old quiet koluga w

this is some kind of work of condensing goodness, and it seems to me that this is her main legacy , liozny’sthemes of the paintings are different, the message for her was always the same. it’s hard to say what your favorite shot is, after all, there aren’t that many films, from lioznova’s films, well, i won’t, i won’t be original, after all. i didn’t go for any experiments with the form, although, well, to film two episodes in one carriage, you know, if this is not an experiment, then well, but nevertheless it was important for her to speak with the viewer in a rather simple language, and nevertheless, in this simple language she said quite complex things, extremely, extremely economically, but i really like the scene where the stirlitz man at the end of the film at the end of the film just sits on the side of the road and does nothing, but at the same time... the tension does not weaken, of course, it is intensified by the music, but we are immersed in this together process, we're waiting, that's how it is we would have already talked about this once, that levozno is one of the creators of

that surprising, but nevertheless, each time it is , in general, a work of overcoming, at least for lioznysband’s director, grigory roshal, although she had independent work, but in this sense lioznava is different, because not only did she not work with her husband on the site, but, in principle, she was on her own all her life, and this was even... they reproached her, yes, in some years the gorky studios hinted that maybe, somehow, it was necessary, maybe, to be more like a standard soviet woman with a job, and also a family, and a career, yes, a career, a family, but her family was this mother, whom she took to filming, whom she always brought to artistic councils i consulted with her about how the film looked, and this was her test viewer, this is quite interesting, rarely really in soviet... well, i must say that lioznova’s parents did not prepare her for a film career at all and in general there was not even a hint of this, on the contrary, they said that it was necessary to choose a reliable profession that would feed her all her life, and indeed at first such a profession, she had

liozny dropped out of aviation school, but...al other students were expelled. it seemed to master sergei gerasimov that this girl had chosen the wrong path. she went on a tram across all of moscow , wrote down, sketched, as if in words , the types she met, and on this tram, and then she gathered those who were expelled with her, staged such sketches based on her notes, they were all accepted back. she managed to work as a cameraman, as an editor, and as a lighting designer. lezny knew the cinema down to the last detail. tanya is doing the laundry, this is hers condition, she says, she piled laundry into the bathtub like this, she says she washed it there. this park in the north-east of moscow is popularly called the bavarian forest; there are oak, stirlitz and frausaurich trees. recently there was a public initiative to name it. and eat fruit, i don’t want to, but lately there has been a lot of different information about what the norm of berries and fruits per day should be, how to eat them before, during or after meals, so that