she didn't even immediately understand what it was about, which was fundamental for liozny.e read this novel, she understood that it was... it was a man's novel, and for the film some warming moments were needed, because the moment of falling in love, especially for the female audience of stirlitz, it was kind of obligatory, she very accurately calculated all the rules by which stirlitz would be loved, firstly, she understood that this is an ideal hero, this is a mythological hero, and he cannot be undressed in general, therefore it is impossible to see strehlitz in a t-shirt there, he is not there, he must always be elegant, she said that all women should love... towards, but also the son, whom the intelligence officer had not yet seen. after the screen tests, lioznova realized that the child would distract attention, destroy the soul-stirring laconism of the scene. and abandoned this idea, another director, well, he would not have been able to film something like this, but just think about it, 5 minutes of screen time the characters just sit, look at each other, there is f

numbers are ending, yes, sashenka, you wanted, you you know, you say, the films are gone, the film by liozny tritopoli on plyushchikha, a great picture, just as she is a brilliant director, absolutely supernatural, when you watch and generally hear this song, for some reason you imagine, it seems to me so, at least it happens to me, tatyana vasilyevna doronina, who... played at that time on black and white film, she has not become outdated, some kind of energy from the earth, a great film , color would not have suited him, sasha, here with the arrival of spring, tatyana lioznova told, she filmed, tatyana vasil, well, this, efremov read the script, said, well, well, well, a melodrama, yes, he is a reformer, a great theatrical, she then, he says: well , show me, show me the material, show me, she told lezny about this, he says, well, let's go, i 'll show you, she showed it. daronin, and he said: "aha, so this is all serious, reshoot it! and she all these shots that went down in history with the water, with this glass, this look of his, some kind of, of course, all this was reshot, but this is