i want to be an actor, so little sasha kalyagin wrote in a letter to arkady raikin.. it turns out that he has this letter. since then, on two pages in printed text. the letter had a photograph attached; he wrote that no matter what talent you have, you will remember your work, well, just an aunt's steering wheel from brazil where there are many, many wild monkeys, or rather , vagabonds. babs the master of disguise made from a colleague to a real star was born this image, including

i want to be an actor, so little sasha kalyagin wrote in a letter to arkady raikin. and he answered this letter, it turns out he has since then we can print on two pages the letter had a photograph attached wrote that no matter what talent you have, they will remember you just lies the wheel of an aunt from brazil where there are many, many wild monkeys, or rather, tramps. the master of disguise made babs from a colleague into a real star, this image was born, including from children's observations. i looked. in a female performance all the time of madness all the time of madness love and poverty forever sing me mali network unfinished piece for mechanical piano by nikita mikhalkov again turns the life of alexander colleague, in every sense on the site he meets his future wife evgenia glushenko, and the viewer watches the film with bated breath, why is this so? let's go well. forgive me alexander kalyagin takes on the most complex material and carefully works with the most elusive nuances. the sadness and wisdom of ancient aesop's perseverance and faith, in the truth

i want to be an actor, so little sasha kalyagin wrote in a letter to arkady raikin.ote that what no matter what talent you have, your work will remember. the basis is just the steering wheel of an aunt from brazil where there are many, many monkeys. more precisely, tramps of women, samara made reincarnations from a colleague to a real star, this image was born, including from children's observations. in the female performance all the time crazy all the time crazy love and poverty forever. i was caught in the net unfinished piece for mechanical piano by nikita mikhalkov again turns the life of alexander collegue. in every sense on the site. he meets his future wife evgenia glushenko, and the viewer watches the film with bated breath. go, my good. let's go, forgive me alexander karyagin takes on the most complex material and carefully works with the most elusive nuances. the sadness and wisdom of ancient aesop's perseverance and faith, in truth, the investigators of goneyev from the resourcefulness of chichikov wish to acquire hmm dead incredible acting metamorphoses a

little sasha was born. and there, just a month later, his father died. in malmyzha, the building of the hospital was preserved, where kalyaginhe house where his family lived, the house where the institute of his parents worked in the evacuation. and my father's grave. growing up in a jewish family for a boy is a special charm and a special burden. all love is really only connected and addressed only to him to this boy remark discussion. too much, love too much and at the same time time. they let you go and you are somehow free to be alone and you belong to yourself, that is, all the time such hot cold and hot cold, mostly hot and love was crazy. my god, how i lied to my mother as a child. he left. from home or marmots with a violin i studied at a music school in the violin class. i went to the circus or to the cinema, and my mother put such a little white piece of paper in the case, that is, well, to check if the piece of paper fell out, which means that i was engaged in opening the case , if she remained in place. mother cried, listening to how i lied with inspiration. cake drunk bring slippers. and now, for 24 years, alexa