representing everyone as a young talented and undoubtedly bohemian, the first act was staged by liza korneevaduate of gitis, a single concept gave us a single vector for the development of our director's thought. uh, this is the most important thing that dmitry alexandrovich asked, probably, but it was his atmosphere that penetrated us, and we lived with her for this month and created the second act, directed by dmitry tikovsky, who managed to be a soloist in marinka , and then retrained as a director. to their left, mikhail sabelev from kemerovo or himself safargulov from ufa artists. irina sit fedor arkhipov maxim grader, meanwhile backstage singing we certainly love the classics. it's true. uh, but it's always interesting to try something new, especially in this case, when it's an experimental project in the sense that it puts not one director, but four conceptual costumes at once. i would like to take a closer look at a philosopher, knees, similar to a stylist with his dreadlocks, music is more primary for me than music, but he participates in experiments, it is also interesting that the