training, and yet, you have the confidence to stand before these orchestras, the london symphony orchestra, the royal philharmonicmean, how did you achieve that? you know, the failures that i have experienced after the recordings, and the agony that i've felt, no—one could see those. they could only see my conducting because the work that goes into conducting an orchestra, it is long before you are on stage. a great deal of preparation, a great deal of study. listening, and listening and listening and finding the movement when the particular section comes in or not. those are the agonising times. but when you are on stage, it's too late. everything is there. you put your hands together and hope that it will work ok. but it seems it has. but itjust shows you that somebody who arrives with nothing, really, in the 1970s to the uk as a refugee, you know, you have made this major contribution. so when you look at the debates that richer countries have today, like the one we are having here in the uk about, you know, how tough laws should be for asylum—seekers or refugees. how do you remind people that in this debate,