byhe way, irote er w too aur] i wrote it in longhand. [laughter] someone on my staff was smart enough topreserve the longhand sheets in case anybody thought i didn't write it all, but i you ths ou i w it. [laughter] if you don't believe profiles of courage, people, there was a fellow in the book byhe name of edward ross who said when he cast a vote not tompeach drew johon w puand dot pe ew jhnson, but said i knew i was looking down at my political grave. he nonetheless voted not to impreach, voted not guilty, and he and every other republican who vote not guilty los th stood for something. there's things like integrity and bringing health care to 31 million americans that are worth losing for. if you a a blue dog and you loss because you voted for heth care, darn it, you lost hafo. the nmensin t to me, we need back bop. no question about it. take someone all the way in the back. >> we are. >>nkyo governor. right now, there's a revolt in the democratic party, people like yoself and bill clinton criticizing presidentbamor bain capital. why

. >> you write longhand or typewriter or what? >> i -- it's a combination. i'l make a lot of notes in longhand, and then i'll sit down at an old manual typewriter, none of this electric stuff for me, and i'll bang it out on theismannual typewriters. then i give it to somebody else to put into more presentable form. >> this is the cover of the book and the title, "the theme is freedom". ..

did you type them, write them longhand and send them on to an editor? how did they get to where they were supposed to get? >> i used the log -- they're pretty hard, those phones over there to handle. they have french operators and i spoke no french. but i managed to get through. then i used to write stories and if there were men correspondents that were going back or something like that, i'd give them something to turn into the "ap q "ap." usually i could find "ap" enough of us with over there i could send it back. all right. give it to some friend s of min. it got back all right. when i came back, i did some initial writing, but i was awfully tired. then say said i would be assigned to the london bureau. and that was all right with me. but i didn't go back. >> why didn't you go back? >> got my old job back in washington. i liked it better. and i'd left my apartment in washington and so i just -- several had it. ann corac, do you know her? she was public relations. she's a very close friend of mine. we worked very good together. so when she came back a

two digits in it ok so two hundred thousand digits would fill an entire book if you wrote it out longhand doctor and two and a hundred two digits is just a couple lines and you know we're close to being ok thank you very much for being with us tonight ok now i thank you for inviting iraq and now everything you know about the relationship between science and faith is right. i get it americans want to have their guns and i can understand a lot of the arguments in favor of gun ownership you could build a case that someone has a right to a gun to protect him or herself or their family you can build a case of someone has a right to a gun to go hunting to build a case that someone has a right to a gun for competitive shooting like this shows senior executive producer louise hartman so you could build a case that someone has a right to a gun if they're in the business of protecting the nation like the national guard or the reserves and in fact that last case. was the real original reason the founding fathers wrote the second amendment it was to protect the nation rewind back to the early days of