family, and to help one of the great orchestras besides the los angeles fill hor m monic, and it is funny that i have worked for two philharmonicnew york and los angeles, and two really to assume the rightful place in the pantheon of orchestras, because the new york philharmonic is 175 years old and the oldest orchestra in america. what is interesting to me about that is that you know that i am a futurist, and thinking about where can we go? what can we invent? and what i want to be able to be a part of is in working with the musicians, and the board and the community is to not be weighted down by the legacy, but to use it, to move to a vibrant and youthful 21st century future, because so much of what has happened here embodies what a orchestra of the 21st century can be like. >> that is the question though. can you do in new york what you did in l.a. and not be weighted down by the legacy or by the expectations or the parameters of the new york crowd? >> well, we are going to see. >> yeah, yeah. >> i left there once before 17 years ago, because i was looking for challenges. one of the things about me is that frank gehry said t