battle with the confederate artillery south of louis park. curtis credits them with, disabling one of the confederate artillery pieces. this is the first instance in the civil war where an african-american unit with african-american officers in combat and it happened right here. okay, back to the fight. i'm south of brush creek. shelby has to withdraw, and so he's got, you know, thompson's brigade is kind of going down the warner lane area, retreating south, trying to catch up with wagon train jackman's brigade is retreating you know it wasn't truce in the present day trust area and they're approaching what would be present day forest hills cemetery a federal brigade is in pursuit is catching up to them so they deploy behind a stonewall and are able to fend off the sanborn's brigade in what became known as shelby's last stand. so now the retreat continues. but what are of the what is the significance of the battle of westport. well, there is an election on november. 1864 and they're electing a president. but locally they're electing a governo

something to houston that's very, very different than needing the oil in saint, you know, saint louis parkota, is it not? and in getting there is actually less environmental and more dangerous if it has to go by, say, barge then maybe rail or pipeline. well. >> that's exactly right. >> and this interdependent. >> relationship that we have with canada continues to be very important. and we want to continue to work with canada on bringing that oil into the united states. but remember, there's not a lot of other places where that oil has to go. so we want to continue that important relationship and continue to work with canada, not. >> just. >> on oil, by the way, but on natural gas as well, which was also subject to only a 10% tariff rather than a 25% tariff. we need that natural gas also, particularly for the northeast. >> and the. >> pacific northwest. >> we're going to leave it there. but mike and andy, invaluable insight go the whole hour. but then i'd be fired and we'd never do it again. so andy and mike really appreciate both of your time. thank you very much. thank you. thank you. >>

he'd attended the alexandria academy with the eldest son of lawrence louis and nellie park, custis louis and nellie had commissioned him to paint one of her grandsons. you see here with her plantation, woodlawn, in the background. chapman's mother was friendly with the then mistress of mount vernon jane charlotte blackburn. washington resulting in her commissioning chapman for this massive group portrait that you can now see in the museum here at mount vernon in 1834. and i like to imagine chapman interviewing her while painting this on the piazza for chapman palling, meanwhile, could help chapman break into the new york art scene, which was quickly surpassing philadelphia in the early 19th century. his wildly successful satirical pamphlet, it's published with washington irving in 1807, had launched a career as a popular novelist, playwright and critic. like his friends, artist and inventor samuel f.b., morse and novelist james fenimore cooper, pauling's work was focused on nationalist themes. he aimed not only to support american art, but also to promote the idea that american cultural