i can assume that they played a play in front of king louis xiv and it was eh? a play by doctor perhaps if you say it right, we'll forgive you because there, well, there are nuances. what role did he have? it is important. which, as i understand it, that's what affected the king. possibly with gonorel no stomach point go to the next stage, and i'm in the stands. dmitry khoteev school number 12 of the city of penza october 24, 1658, the corpse of molière played tragedy pierre corneille not comet but then later, when they played it, then what they played, that the impression of a doctor in love lived through, so the doctor is not a doctor involuntarily well? what was the video? wait, because you've clarified the title. plays play a very important role. vladislav parfenov gymnasium 35 city vladimir moliere played the main role, that is, the role of the most in love doctor after the unsuccessful not unsuccessful performance of e not comedy molière asked louis xiv for permission to e. one scene with which he delighted the public in the provinces and louis 14 agreed a

the youth theater on the fontanka has its own version of the artuffe, long beloved by the public, louis xivn court ballets, but actively participated in the creation of plays in the molières. among the characters there is no louis, while the author of the production at the youth theater fantasy allowed bring the king of the sun to the stage, as sure, historians. oleg basilashvili became the king of the play jurassic molière in 73. how, according to bulgakov’s play, the creative personality of the playwright, director, actor, was revealed at the festival, the artist eduard kochergin will tell the same questions today. moreover, relations with the royal power, set by semyonovsky in the same play, the kabbalah of the saints in the youth theater, the nature of the ruler, and the artist. they have, in general, the basis of both the dramatic and the different nature, dramatic and social and artificial and conditions they dictate to both very difficult situations and role-playing functions of the collective, having in the repertoire of the performance. the fate of molière, it is not by chance that