aesthetic beguiling and confusing louisa clements work asks the question of where we are right now still in reality or in a virtual world and what to find some people in the digitally. the artist gets her inspiration in city centers where she takes snapshots with her cellphone camera mostly a faceless shop window dummies photographs shapes and abstractions a reference to the digitalisation that's changing daily life. that 1st 5 months because of course there are changes in terminology conventions of speech forms of speech interpersonal relations always have had something to do with localization but with digital as a song space is no longer so directly defined if and yet. where does the human body end and the digital self begin for series heads luisa claimants assemble cell phone photos into a series of portraits of mannequins. in this wordless way she demonstrates the loss of personality in modern society. cutting yourself off from real surroundings can be done in analog too like with mirrored sunglasses the human disappears and it's unclear whether there's any. when behind the reflectio

in times of artificial intelligence and virtual reality term an artist louisa clément explores what itmeans to be human in our digitally dominated age and. she's been on stage since she was a kid but now a polish based sensation which is shaking up the just scene and very coolly bringing her 4 strings into the spotlight. and we're in for some fun with this $19.00 pages homage to the golden age of whodunit films agatha christie a director ryan johnson's brilliant trick is to bring the whole thing into the modern age and set it squarely in the trump era little more than its share of punches that america's gaping social political divide while the dynamite cast simply has a field day with it's starting. to slowly if you've heard this one before call roll in a wealthy crime writer celebrating his ether.

in times of artificial intelligence and virtual reality german artist louisa clément explores what itmeans to be human in our digitally dominated age and. she's been on stage since she was a kid but now a polish based sensation which is shaking up the jazz scene and very coolly bringing her 4 strings into the spotlight. and we're in for some fun with this $19.00 pages homage to the golden age of whodunit films agatha christie a director ryan johnson's brilliant trick is to bring the whole thing into the modern age and set it squarely in the trump era lit delivers more than its share of punches of america's gaping social political divide while the dynamite cast simply has a field day with it starting. if you've heard this one before a wealthy crime writer celebrating his 85th.

you now where does the human body end the digital self begin that is a question posed by artist louisa clement whose work is making its way on to the must have lists of international museums and galleries clement currently has a solo exhibition in the western german city of aachen where her photos videos and sculptures seem to come from a future that has already begun. aesthetic beguiling and confusing luisa clements work asks the question of where we are right now still in reality or in a virtual world and what defines people in the digital age. the artist gets her inspiration in city centers where she takes nap shots with her cell phone camera mostly a faceless shop window dummy she photographs shapes and abstractions a reference to the digitalisation that's changing daily life. that phrase for and others because of course there are changes in terminology conventions of speech forms of speech interpersonal relations always have had something to do with localization but with digitalisation space is no longer so directly defined it and yet. where does the human body end and the digital self be