because right here at the louvre museum, a mcdonald's. >> where? in the louvre? no! >> reporter: here in the food court already filled with quicky dishes from all over the world. >> so what do we have to do to protest. >> reporter: they're americans but something like bernard doesn't even consider mcdonald's to be a restaurant. >> reporter: a lot of his countrymen might say au contraire because today after the united states france is the largest consumer of mcdonald's in the world. >> reporter: of course there's another perspective. for instance, this gallery is filled with the works of the phlegmish painter peter paul reubens. you may recall meeting him earlier on sunday morning. these paintings hold special appeal for this woman. meet velvet. >> the only thing they're missing is cell uwe light. >> reporter: velvet is an american who has been living in paris 18 years. she's now a successful model and photographer. >> i just try to think is there anywhere i can find a positive image of someone with my body type? and this was the only place. >> reporter: well until th

it's not the louvre, i think dresden but picasso must have had a postcard of it and he made this veryamusing and technically quite challenging color line coat after it. the teuflt difficulty in realizing this work, you can see the red and yellow color zones don't line up well. and because of that he invent add new technique. >> rose: what's a line cut? >> it's when you take a piece and start gouging it without a scraper and where you have a gouge, you don't get ink. and where you have the linoleum, you don't get ink. as a child you might have made prints with a potato, you dip the potato in ink, like a rubber stamp. quite literally like a rubber stamp. you remove what you don't want to prince. what he was able to do is called reductive line cut technique. take a large block, remove a little bit, ink over it and print it and remove some more, ink over it and print it. and by using opaque inks he's able to superimpose and everything everything register. when off color print you see days when the printing press is off and blue yellow and red are not in line. this is an obstacle for the p

. >> as will the louvre. >> they'll be in beijing or shanghai. >> we may be in beijing or shanghai. >arlie: we may be? >> yeah. >> charlie: i'll bet you in your mind that is a done deal -- in your mind, that is a done deal, not "we may be." >> it being a done deal in my mind is different from my being able to announce it on "the charlie rose show." >> charlie: well said. but there is also -- i'm interested in this because first all, ople the crudest would say, "he went over there in search of the richest partner he could find." and "he made a deal." and without casting aspersions on any particular person and the leadership of the united arab emirates, especially abu dhabi has a reputation for a lot of very positive things, but he went over there to get the money, make the deal, and it became a kind of codependence on each other. you had a reputation. they had moneyment that's the crudest way to look at it. >> it is a very crude way of looking at it and it's not -- it's not unfair that that would occur to people as an initial matter. any investigation about the nature of n.y.u. or its

wine-tasting classes can be found deep underground through a tunnel connected to the louvre museum. the path was originally an escape route for king louie xv when he hosted the king's court. now tourists look to leave with a more sophisticated palate. >>> we know who you don't want in your bowling league. rhinos are hoping to get a lucky strike at one zoo in kansas. walking on four legs makes it a little tough to use a ball, but that's what horns come in handy for, and while their scores may not be great, the cause is very worthy. money raised goes to a rhino foundation aimed at protecting their species. see, bill, i would do such a better job if i just used my head. >> suppose i take you bowling today. i'm not talking about bumpers. no bumpers for you. >> no. >> what are the odds that you'd break a hundred? >> i think the fact that i'm not exactly sure what breaking a hundred means probably gives you a good indication of how well that would go. >> yeah. maybe 50. >> yeah. let's stick with easier sports for me. >>> time now for a look at some of the stories we'll follow throughout t

and so for louvre personnel in san king will so had seven clocks on pacific street to be the leadingr is in that arena was a story that was just too good to pass up. >> did originate was as an influence of great mission musicians', entrepreneurs and african-american culture actually there is less segregation made a difference. >> he put it in context, but african-americans who were prevalent and entertainment and theater from the gold rush on. by the time the move to pacific street african americans have been running resorts from the 1850's in fact this site of purcell's there didn't several black bone clubs over the previous 30 years. african americans in the churches to put a premium on music training so as late as 1920 the leading occupation for blacks was a musician. in 1950 there's a place called the colored entertainers club. this was at columbus circle across from where the trans american building yes. that's how oakland the african-american entertainers were they had their own private club in the middle of the financial district. >> part of the also was that you have the pull