igor luchenok became on a par with them, thanks to luchinok the takeoff took place, he created not juste, a performance. the belarusian pop scene was finding its face, the emergence of vocal and instrumental ensembles became a phenomenon, and belarusian songs performed by them burst into the cultural space of the ussr. ensembles pesnyary, sebr, veros, then critics will write that this was a real coup in belarus. that’s all, this, i can’t make it up, it’s a completely different song, it’s a simple belarusian song, that’s all, if, you know, such brilliant things, they’re all simple, bastard, shepherd, you, i clearly dreamed. thanks to them, a new direction in belarusian pop art was born. it would seem that the repertoire of each ensemble is based on a belarusian song. but each one sounded unique, especially, and it was not a rivalry. in the national culture they complemented each other. this is the culture, this is the theme, this is the belovezhskaya pushcha alone, how talented they are, how they found each other. variety a few years later became the laureate of the tenth world festival.