the theme of beauty and death will run like a red thread, through each of his tapes in 1960, lukin viscontehe world a film about internal migration about how patriarchal morality is cynical city laws. can never get along movie rock and his brethren lays the foundation for all the family romance, which later becomes the dominant mature visconte. the theme of families is reflected, and in the seventy -fourth year, the penultimate work of the master, a psychological drama, a family portrait, appears on the big screens. in the interior, in the center of the plot, the elderly lonely is at the same time a very good-natured professor, deep, moral, imbued with an understanding of beauty. he literally lives in memories and nostalgia, the professor has long been disillusioned with his era, making seclusion with life. at i have addictions and there are conflicts. i was attached to the sipwell family, even moved them into the bedroom. this did not strengthen our relationship, and i entered into a debate with the eldest daughter, over there in the corner, and to whom claims in this family have already a