with it at all moreover, i say, whoever doesn’t work, eats, study, student, smaktunovsky, basov, luspekayev when we remember them, the first thing we do is start to smile. their comedy film characters have long been have already become part of our history, but the famous actors also had another life, which they did not like to remember, life in the war. the jokers on the screen, they fought heroically for their homeland and paid for the victory with blood, literally. served in the partisans. in a detachment that carried out raids on the german rear, he spent a very long time in a snow-covered ambush, which caused his feet to freeze terribly. vladimir basov reached berlin and was awarded the order of the red star and a medal for military merit. i always asked him: “dad, weren’t you afraid that they would kill you? he says: me? this was the only reaction, no, it was impossible for his character. zinovy ​​gert after a terrible wound." only by a miracle was he able to save his leg, my father told me how the doctors fought for his leg, everyone shouted that they needed to cut it, ainakintis mukt

smaktunovsky, luspekayev, basov, gert , gaidai.en and continue to bring to this day, because these films are with us forever, as an eternal feat of the soviet people, we are simply alive, thanks to these people, the fact that these people gave us immortal cinema, we are also alive as people, not physically, as physical bodies. and as people we are alive thanks to them, thanks to the wounded people, the wounded, who gave us the brightest comedies, we exist to them, thanks to them, we must be grateful to them forever. maybe let's go, let's go, romantics. let's go well, eternal battle, we only dream of peace, come forward, follow me. you saw it yourself, comrade major, what a noise it is when he can’t find his boot, here it is, here it is, the boot was found, and i put it under the bed. all over again, so what, send out those who don’t drink, those who don’t drink, and so that about the female sex, the yavnukhs or something, the authorities know better, you can’t bring order to the disposition, women, women, the civilian population is

do with it at all, i say, whoever doesn’t work, eats, study as a student, smaktunovsky, bass , luspekayev

nothing to do with it at all , i say, whoever doesn’t work eats, study, student, smuktunovsky, basov, luspekayevheir homeland and paid for the victory with blood, literally. after a terrible wound, he was able to save his leg only by a miracle. my father told me how the doctors fought for his leg, everyone shouted that he had to cut it, ainakintis muktunovsky, risking his life, was able to escape from fascist captivity. grandfather said that you cannot live in war, yes, even though you lived and survived, it was not life, it was a struggle with death. and compote, leonid gaida, the king of comedy, thanks to him we learned and fell in love forever honest shurik, naive gorbunkov , charming trinity. well, citizens, alcoholics, tuniyanites, hooligans, who wants to work? i, wait, agree with the whole list, please, loading coal, me, cleaning the stables, in addition, yes, wait, you are a citizen, you have a personal outfit for all 15 days, take it. who among us does not remember this brilliant episode, but this scene is taken from the real life of gaidai himself. like all his peers, at the beginning o

rosto was with performances in lugansk, now on his stage he receives colleagues from the luspekayev russianove our citizens, we love life in the end, and that's what we work for. the theater opened its eighty-fifth anniversary season with the queen of spades, a mystical story about human passions of obsession, published by pushkin 190 years ago, one of the most mysterious and exciting classical plots remains popular in theater and today, from what feeling, something pushes us to perform any actions at all, from what? to finally understand what he did wrong, why everything turned out this way, where he made a mistake, and this is his madness, which manifests itself in this endless whirlpool of his communication with himself. the set design is in black and white with elements of red. there are translucent glass portals on the stage, like obstacles between the characters. i approached the window with a feeling of some anxiety. according to director hermann, what drives you crazy is not. the search itself a win-win formula for enrichment, for him this is a story of unrequited love, in the way o