help but remember your performance, the return to khatyn, which you staged with boris ivanovich lutsenko for a long time to stage his khatyn story, as you persuaded him, the fact is that when lutsenko had this idea, adamovich was really afraid of this production, i remember at the first meeting, he said that this is a document. this story is very difficult and i say i can’t imagine how. and then boris ivanovich told him his plan, that it would be in the center of the hall, we were removing almost the first 15 rows up to the aisle, we were putting a platform there, and the audience was sitting on both sides, and we were making a hut, like something like this, here was a safety wall, here , and the audience from... as if conditionally , and there it was, when it was burning, it was scary, when everything was heating up here, and people were rushing around, of course, it was scary, then of course the very idea of ​​telling about, well scary inhumanity, fascism, what it means to kill people, lutsenko himself staged it, and i was like his second director, because after all, our profession is

the fact is that when this idea was born to lutsenko, adamovich was really afraid of this production, story, this story is very difficult, and i, he says, can’t imagine how, then boris ivanovich told him his plan, that it would be in the center of the hall, we are practically removing the first 15 rows there before the aisle, yeah. there we set up a platform, and the spectators sit on both sides and make a hut, like this, here there is a solid wall, here, and the spectators have an open one, as if conventionally, and there it was when it was burning, it was scary, when here everything was heating up , and there were people throwing around, of course, it was terrible, then of course the very idea of ​​talking about, well, the terrible inhumanity of fascism. what does it mean to eat people? lutsenko himself made the insinuation, and i was like his second director, because after all, our profession is a team one, and we did... this performance, and who came up with the idea to turn the performance into something, eat vasil bykov, go and never come back? you performed in tandem again, thi

natali lutsenko, dmytro matvienko and maksym kostenko, ictv facts: the only news.t's all the news for now. i thank you for your attention, believe in our armed forces and our victory, have a nice and peaceful evening. glory to ukraine. chevorony, that. approaching victory. enemies thought that independence was just a word for us. but from the very first steps on our land, they were convinced: we have been defending ours for centuries independence, and are ready to fight for it again. defense forces of ukraine. stubbornly, unceasingly, step by step, they win, gnaw, squeeze our land, our will, our independence from the enemy's clutches, we thank you for every moment and for this day, we prove our independence every day, current data is the foundation for effective decisions, launches the first online survey. we collect information about the level of employment and unemployment among ukrainians. we collect thanks to you. take part in the survey and become a part of important state changes. to go to the page survey simply scan the qr code on the screen. easier than bre

special report by natalya lutsenko. it happens that one and the same thing can be a symbol for mortal enemies. one of the most famous one of the symbols of russian aggressive expansion is the kerch bridge, the middle part of which rests on the so-called tuzla spit, so called because tuzla is not a spit, but an island, a ukrainian island, which is a symbol of ukrainian resistance. it was an attempt, a test, if we can say so, to resolve border disputes by such a forceful way. it was a rehearsal for the annexation of the peninsula, it was the first time we showed our teeth to the russians, it was the first time we aimed at crimea. this story began in the last days in september 2003, when the russian side began to pour a dam to tuzla. the russians gave the formal reason for hydraulic works, but it was enough just to look at the map to understand the real interest. this is a truly strategic object. whoever owns tuzla owns the kerch strait and controls shipping between the black sea and the sea of ​​azov. and this is a russia

natali lutsenko, dmytro matvienko and maksym kostenko, facts ictv. the only news.ou for your attention, believe in ours. strength and our victory, have a nice and peaceful evening, glory to ukraine. chevrons approaching victory. we immediately came to the defense of the country. having gained experience , they began to improve. learn and apply your knowledge in practice and learn again. make decisions, take responsibility, become leaders. in order to save life in order to destroy the enemy, not for the sake of rewards, for the sake of victory, because we have someone to win it for. how are you, everything is fine, like children, like a mother, i have more or less everything, well, almost, of course, that fatigue, of course insomnia, but in no case do not despair, because the strength is here, inside us, and in those who next to us, we will overcome everything , for sure, our team documents war crimes and we talk to people who have been through the ordeal, sexual abuse, torture, infiltration camps, these are very scary stories, it is impossible to get used to it, si

at a banquet after the premiere of the play random waltz, which we composed together with boris lutsenkol, that it looked like a generally laudatory review of our performance. the employees of her radiological department, once told me in conversations, in the seventies and eighties we... had an amateur choir department and we competed with amateur choirs of other departments, and the choir was led, but in any case galina created it and sang there, that’s where i was surprised, you know how galina sang very interestingly, so she sings, let ’s say some song with my guitar, but suddenly she’s too high, she jumps a semitone a tone lower and continues in a new one tonality, to sing clearly enough, when she gets low, she can jump into the previous key, or even a little higher, it didn’t matter, russian, folk, soviet, author’s songs, she knew some countless, innumerable set, like- then at easter we started singing with her with a guitar, but mostly she sang, of course, i just caught her tonality, then we literally walked across the road... to the apartment of her architect friend and there they

lutsenko, yes, the first rp, only filmed by our attack aircraft.hose who strive to get to the left bank. the commander's group with the call sign dexster left the front line a few hours ago. the situation is said to be difficult, but controllable. shooting battle. not not so often found, mostly birds and mortars, the mortars work very closely, here is one of the islands in the middle of the dnieper, where the ukrainian armed forces form landing groups, ukrainian soldiers run under the trees, trying to hide from our drones, one accurate shot, and the entire detachment is destroyed, landing in such a large number , personally became in order to ensure a breakthrough in one of the directions , in our particular it is impossible, because we constantly have reconnaissance from the sky and artillery works very well, competently, that’s why they simply don’t reach, and those who it arrives, so they remain there, well , little salmon, let’s fly, this is a mandatory ritual before each flight, combat helicopters, like guardian angels, always appear in the ho

imprisonment medvidy accused of kidnapping and torturing activists of the revolution of dignity, ihor lutsenko and yuri verbytsy. the latter was brutally killed. on january 22, 2014, verbytskyi's body was found in the forest 500 meters from the hnidyn petrivske road. the investigation established that oleksandr medvid. who participated in the abduction of activists from oleksandrivska hospital, after which they were transported to the suburbs of kyiv, where they were molested and beaten. lidia shchebunyaeva passed the verdict, in which she expressed her conviction that yury verbytsky did not die because of the torture of medvidy and his company, and because he froze in the winter forest. lidia shchebunyaeva has quite a long track record, but the most, probably, she stood for because of the fact that she justified , in fact, did not see them, severe consequences, discrimination of inflicting physical pain, consequences and death, journalist verbytsy, activist during the revolution of dignity, this and many other things, unfortunately, did not become a reason for the supreme council of justice t

your portrait. wrote: in the nineties, the main director of the russian theater boris ivanovich lutsenkoge the play perpetuum mobile or jewish jokes. this performance was performed on a small stage, because the big one was under reconstruction. tickets for the performance were expensive, because they also treated me to, i don’t remember, either... or champagne, and for 12 years while this performance was on, pouring, among the jokes, kanty sang, his voice sounded very good, he explained it like this, he said, you know, vladimir, this building of the russian theater was built as a synagogue, so everything here is designed so that the voice can be heard in the synagogue, so my voice fits very well into this space, into these walls, indeed, it was a very good performance, the theater took it to st. petersburg, then to leningrad and moscow. in the performance of the perpetum mobile, it begins with an ancient old testament prayer in ancient hebrew. elagainy shoma is a prayer for the soul: lord, you gave me a soul, if this soul is pure, take it to you. and imagine, i was painting this icon jus

natalya lutsenko and anna bol ictv facts only news.verything for the front, everything for victory, almost took place under this slogan. the syrian challenge festival of innovative projects. most of the startups represented by young inventors were related to the defense-industrial complex. a record number of participants took part in this year's event. the organizers received up to 2,000 applications, but only 150 made it to the finals . actually, the festival itself for the 12th year in a row not only demonstrates new developments in various fields, but also simultaneously finds investors for large-scale production. for example, after last year's competition, 20% of startups have already found funding. implemented in some industries. oleg kornienko saw what was surprising about the nasor challenge this year. drones for the sky and for the ground, military projects, environmental and medical. this year's festival of innovative projects sikorsky challenge breaks its own records, more than one and a half hundred participants , it is almo

wife, satisfied, cheerful, happy, says, after the performance we went to the main director, boris lutsenkoand galina says, she took out a bottle of wine, and... we had a good time, then boris took out some more wine , and we talked about art. boris talked about his plans, galina asked him about something, i said, she sat silently , volodya, he said, it was such a holiday, one day, sitting in the theater, she pointed out to me an actress on stage, she said, vladimirovich, this the artist is my patient, i think, how can it be, where is the medical confidentiality, well , she apparently trusted me very much, and you know that galina, in my opinion, was about the same age as this artist, this artist still shines in the theater, today in 2023, and galina has been gone for a long, long time, in 2002 galina warmly applauded my performance, staged the wolf's songs at the belarusian drama theater in 2005, at a banquet after the premiere of the play by chance waltz, which borisomko and i... and he staged in russian theater, she made such a toast, long and colorfully, that it looked like a generally

oleksandr medvyd, accused of kidnapping and torturing activists of the revolution of dignity, ihor lutsenko and yuriy verbitsy, from prison. the latter was brutally killed. january 22, 14th year. body verbytsy was found in the forest 500 m from the hnidyn petrivske road. the investigation established that oleksandr medvid personally participated in the abduction of activists from oleksandrivska hospital, after which they were transported to the suburbs of kyiv, where they were abused and beaten. lidia shchebunyaeva passed the verdict, in which she expressed her conviction that yury verbytskyi died not because of the torture of medvid and his company, but because of the fact that...' in the winter forest, lidia shchebunyaeva has a rather long track record, but most of all, she is probably for became known, due to the fact that it justified, in fact, did not see the burden of severe consequences, the infliction of physical pain, the consequences and death of the journalist verbytsy, an activist during the revolution of dignity, this and many other things, unfortunately, did not become the rea

, let's watch a story about natalya, lutsenko, come on, these are the kind of aushkas we have, aushkiult times for the zoo, did everything she could, fed and looked after the animals. i’m already carrying nuts , and nuts and onions, i’m already carrying everything in the world, people worked here who loved animals very much, our employees did not abandon the zoo, they did not abandon saveli antolovich, all of our dead animals... this is our pain for the rest of our lives inside us, life moves on, gets better, our all very beloved children, the most golden, now we only believe in the best, we no longer hear the explosion, we want peace, to restore everything, to try as- then push into the background all these memories, these losses , so that this will never happen again, like now she has no education, but she is a doctor, well, life has taught me, saveli, tell me how it is now... the zoo is doing, in what condition, have they recovered do you? well, first of all, after a lot of volunteers helped us, there were volunteers, start, everyone united at the zoo, here is svetlana akulova, dir