were women pilots who fought very courageously, there were fighters , and bombers. and let's say lydia litvakdied, accordingly, this is a fictional story, but in reality, there were women pilots, they fought in the soviet union, most of all japanese viewers were impressed by the special directorial language of herman the younger, because his films do not shout, they talk to us in a half-whisper , the picture of the air is not another blockbuster about war, but a piercing drama, where events and emotions. are not replaced by special effects, it’s always a pleasure to work with talented people, talented partners, with a good director, i filmed some part a female operator, in general, is not a woman’s story with women, however, the film also has spectacular scenes to make air battles look the same as in real life, the largest ice screen in russia was built, the size of a four-story house, artists the paintings resurrected field airfields, the halls of the hermitage during the siege years, the destroyed streets of stalingrad, costumes, i had time to master them, but why go straight into battle ,

were women pilots who fought very courageously, there were fighters and bombers, and let’s say lydia litvakthere were women pilots, they fought in the soviet union. after the show , the film crew was waiting on the street to take a photo as a souvenir. however, fans stand in line for the autograph of alexei german jr., wherever he goes. japanese viewers note his special directorial language, because his films do not scream, but they talk to us in a half-whisper, the picture of the air is not a blockbuster about war, but a thoughtful drama, where events and emotions are not replaced by special effects. not a women's story with women. however, the film also contains spectacular scenes to... air battles looked the same as in real life , the largest led screen in russia, the size of a four-story house, was built, the artists of the film resurrected field airfields, hermitage halls during the siege years, destroyed streets of stalingrad, and the costumes turned out to be authentic. i would give them time to learn, but why go straight into battle? maybe you can command me, come on, we weaved thre

women pilots, and who fought very courageously, there were fighters and bombers, and let’s say lydia litvakre women pilots, they fought in soviet union. after the show, the film crew was waiting on the street to take a photo as a souvenir. however, fans are queuing for alexey german’s autograph junior wherever he goes. japanese viewers note his special directorial language, because his films do not shout, but speak to us in a half-whisper, the picture of the air is not a blockbuster about war, a prandial drama, where events and emotions are not replaced by special effects. it’s always a pleasure to work with talented people, talented partners, with a good director, i filmed some of it. a female operator, in general, is not a woman's story with women, however , the film also contains spectacular scenes so that the air battles look the same as in in real life, the largest screen in russia was built, the size of a four-story house, the artists of the picture resurrected field airfields, the hermite halls of the blockade years , the destroyed streets of stalingrad, the costumes turned out to be

women pilots who ... they fought very courageously, there were fighters and bombers, and let’s say lydia litvak, talented partners, with a good director, some part was shot by a female cameraman, in general, not a women’s story with women. however, the film also contains spectacular scenes to make air battles look the same as in real life, the largest led screen in russia, the size of a four-story building, was built house, the artists resurrected the paintings according to... costumes, i gave them time to master, but why immediately into pain, maybe you can command me, come on, we. we weaved threads, we restored technologies , how threads were made in the soviet union, then we made fabric from these threads, we visited an incredible number of libraries in order to find patterns, work on the picture took more than three years, and sometimes the film group had a hard time, many scenes were filmed in the field in forty-degree frost, potatoes won’t cope in the kitchen clean, at some moments it really seemed to us that we were in the past and we were really cold, really scared, really bad, and we a