lyubov orlova is a diva of the cinema of the thirties and fifties, golden curls with cold waves, emphasis, director grigory alexandrov, being inspired. but lyubov orlova is often compared to marlene dietrich in her image, in her image, yes, blonde curls, those thin eyebrows, red lips, clothes at that time in the movies was practically erased, because somehow ideology was probably more important, it was more important to show that the heroine is a real soviet woman, she thinks about the public, and not about some kind of case faina ranevskaya, yes, but not the heroine lyubov orlova, in what era does it become acceptable for a positive heroine to be stylish, sexy, bright, apparently, these were some kind of waves, the war ends and, strangely enough, some kind of western influence comes to the soviet union anyway, because what trophy outfits appear , fabrics appear, some films appear, probably this is also the first image... of a positive heroine, but at the same time fashionable, incredibly stylish - this is still the same lyudmila gurchenko in the film carnival night with these new look dr

but lyubov orlova is often compared to marlene dittrich in her image.o the soviet union, because trophy outfits appear, fabrics appear, some films appear , probably too, here is the first image... of a positive heroine, but at the same time fashionable, incredibly stylish - this is still the same lyudmila gurchenko in the film carnival night with these new look dresses, so not soviet at all, but at the same time she is incredibly positive and a truly soviet heroine, whom everyone wants to appreciate. 5 minutes, 5 minutes, my watch will soon be stripped, make peace, those who are in discord, then - after all in the eighties, we also see such heroines, but even the same irony of fate, all the heroines there are beautiful, bright, quite fashionable and independent, well, that is, as if at some point, probably somewhere in the mid-seventies, probably this now after the thaw, it’s as if a woman is allowed to be beautiful and stylish, and at the same time it’s as if clothes have nothing to do with character, that’s what it’s like... a woman no longer looks 10

but lyubov orlova is often compared to... fashionable and independent, well, that is , as if at somelish, and at the same time , as if as if clothes have nothing to do with character, so the way a woman looks no longer 100% shows how she will behave in a movie, that is , there may be some surprises, then there was another move, like... this is a film with an unnamed star with anastasia vertinskaya, who, by the way, being a diva and modern heroine has never played such a role model for many , but if you list how she started almost from childhood, scarlet and sails, amphibious man, war and peace, and anna karenina, she is everywhere, or here is a heroine from the past, or in general, they are so non-russian, like ophelia, all her heroines, they are all kind of shakespearean, so historical, but at the same time there is an untitled film. star, where she appears again in white, in this dress of fashionable loafers, some furs, well, everything that a soviet woman cannot wear, the same these curly light fibers, that is, it seems like a historical heroine, but the fashion seems to be modern

lyubov orlova, cinema diva of the thirties and fifties, golden.es at that time were practically worn out, that’s why. in what era does it become acceptable for a positive heroine to be stylish, sexy, bright? apparently, these were some kind of waves, the war ends and , strangely enough, some kind of wave still comes western influence, the soviet union comes , because trophy outfits appear , fabrics appear, some films appear , probably too, this is the first image of a positive heroine, but at the same time fashionable, incredibly stylish - it shows how she will behave in the cinema , that is, there may be some surprises , then there was another move, how to show fashionable stylish sexy characters, but these are historical films, oddly enough, censorship is rampant, what is being filmed, fairy tales are being filmed, films are being made about the future and about the past, so in everything in everything there are a lot of sexy heroines in this spectrum , this is naturally meredy, margarita terikhova , in general one of the sexiest, by the way, a

volga-volga, a rich bride, it was here that the main, main stars of that time, lyubov orlova and marinare greatly honored to have veterans in the hall with us today. studios. maria mikhailovna lyasnikova, the same age as mass film. she will celebrate her centenary next month. i’m so small, puny, i ended up at mosfilm. mosfilm required couriers. there are many different workshops, costume shops, construction shops, sometimes it takes you 3-4 hours to walk through. the movie svinar was filmed there. and the shepherd is a wonderful film, i will never forget my friend, i became friends with him in moscow. the main director of this film, pyryev, is an extraordinary personality, and in general a very, very interesting person, he treated me very well, of course, i tried to look at the actors in everyone’s eyes so as not to miss them. no one, ah arlova, ah lady, ah-ah, well, like in a movie you can’t forget, like in a mass film you can’t forget, so he’s always here with me. i’m very glad to be here, because it was the beginning of the war, i looked for a job for a long time, couldn’t find it, t

birthday of the muse, soviet cinema by lyubov orlova. you looked around the planet. thank you for being there, stay with us. visit the website www.tvr.by and watch your favorite projects of the television news agency. online, goodbye, how are you, how are you? services of western countries, they do not act independently, they have corresponding tasks. dealt specifically with covid-19, it is possible that we will see pandemics that will be more dangerous armed actions. belarus, our successful decision, repelling the attack of the coup, became a kind of vaccination, because the absolute majority saw that the promoted technologies of color revolutions could be resisted. the project is objective. don't miss new episodes on the belarus 24 tv channel. we travel around belarus and discover new sights. i will visit a church that is almost nine centuries old. however, researchers of ancient russian architecture associate the personality of john with the flourishing polotsk school from the patronymic of the 19th century. let's get acquainted with the original belarusian tradit

birthday of the muse of soviet cinema, lyubov orlova. you looked around the planet.the website www.tvr.by to see the agent’s favorite projects.

i saw at the metropol cinema the new musical comedy by grigory alexandrov vesna with lyubov orlova andeless funny guys, the circus and the volga-volga, is filming his new film, meeting on the elbe. external master dispassionate, taciturn, quietly consulting about something with his old colleague, cameraman eduard tyuse, an associate of sergei zenshtein. then, in the same dispassionate voice, he gives a few tips to the young actor vladlen davidov, who is acting in a movie for the first time, and even in the leading role. this is the story of soviet american officers who became military commandants of two neighboring cities on the elbe in 1945. what an interesting and at the same time unexplored topic. an attempt to film another political detective story, starling ilira, already in the sixties, ended more than ingloriously. no amount of makeup could save me. it hurts to see what the years do. but let me return to the beginning of my work on musfilm. the script department, where i was sent, was located in an extension to the main building on the third floor. it was located in several room

zhlakevicius into an analogue of who director grigory alexandrov was in his time, for actress lyubov orlovanal requirements, must engage in some kind of mutual penetration or something, this falling in love, you know, it seems to me that such major actresses, they , when they see a director with a capital letter, a big personality like mi... what is this? is this a party meeting? shalkevich okay, he’s lithuanian, he’ll leave and sort things out for himself somewhere. and irochka petrovna found herself under the threat of being fired altogether. and who did it? who benefits from this? naturally, actresses. this is a great chance to throw a beauty and competitor off the pedestal. most likely these were workmates. older or younger, but it was, there were anonymous letters, anonymous letters to mosfilm and to the theater. the theater had already set a date for the meeting, the agenda was “immoral behavior of the artist meroshnichenko.” irina understood that she had to act, and urgently. this is the moment i think it’s key, she turned out to be again, and she was encouraged, yes, that’s how her

zhelakevicius into an analogue of who director grigory alexandrov was at one time, for actress lyubov orlovaou know, it seems to me that such big actresses, when they see a director with a capital d, a big personality, like mikholkov, like komchalovsky, like menshov, like... or there are some other big personalities, they bend over a little, and completely, well, this word is kind of wrong, i don’t mean, they completely surrender to this, this personality, because that it’s still a personality, he is the first, the actor is second, no matter how brilliant the actor is, he is still the director first, and of course, you want to get closer to such a personality, get closer, but how can you? in love with a person, and this has already turned into a closer relationship, but they did not last long, latin american passions will continue to boil in the soviet union, where everyone already knew everything, when the actresses and director returned from the film expedition, good colleagues began to write denunciations against mirashnichenko, for an affair with a foreigner and a riotous lifestyle, and

would you like me... to be great actress, i rejected you as a person, well, for example, like lyubov orlovaks like a dad , really, varyuha, sit down, you’ll be a guest, oh, but i don’t i noticed, eat, volodya, you probably didn’t have lunch, so you’ll be a doctor, but she’s always responsible for you, yeah, then her mental capabilities allow her, let’s go, where are you going, stay, come closer, well... listen, vladimir, be a man, i brought you great grief. the death of a hero for freedom , the happiness of humanity in the battles for the city of madrid. what kind of idiot is there, well, the daughter of our rector, if you want to go see a relative, go away.

lyubov orlova, that is , these are the same people who could make costumes, sets, and they worked, workshopsole sewing workshop worked at musfilm, they found these fabrics with difficulty, they found patterns somewhere, in magazines, somehow these magazines came from abroad, then they were processed for many years, that is, it was all very complicated, painstaking work, because well, there is a period of shortage, just go to the store to buy no... it wasn't even clothes, not even fabric. how much easier is it to work in cinema today? and it’s simpler and more difficult, well, let’s just say, it’s very interesting to work on historical projects, because it’s a whole hunt, a hunt in vintage shops, a search for some authentic things, sometimes one thing can create the image of a whole heroine, it’s like from some found one suit, you can start and imagine a whole life in the office... that is, this is the kind of thing that no actress would want to wear, you just you dress, rather gloomily, without polish, hmm, i didn’t notice, but there was an actor who put it on himself, do you remember this s