i arrived at the dacha lyudmila vasilievna and when she took me already rest. she told me this room, parsley. i don't let everyone in here. and in the morning, when i went out for tomorrow, i say lyudmila to the pillow. when we met through the cinema, it was very strange, they brought me. e to mosfilm yes, to get acquainted with the director. and then i shot a lot and felt myself. well , as already in cannes , simone sinera walked along the path on the left and on the right and into montana. ahead of belmondo, uh, that means a man in a white cap is sitting in a white t-shirt and runs his finger over the paper. well, according to the script. i i’m sitting, and he will be; i’m sitting for half an hour, and he will be sitting now, something will happen. well, in the end. i think it is. didn't pay attention at all, he knew how to do it. but i didn’t know, i thought they would say, hello. something else, well , he’ll look at his teeth, there are still some nuances. there legs hands something facial expression. here, but there’s nothing, but it means the second direc