you know, flaubert once said when he was writing "madame bovary"- think it was at the end of the book, after insisting for years that mo--"madame bovary" was nothing ke, hanog o m,thd asce m'daovc' moi.' and i got to that point where i said to myself,'stephen crane c'est moi.' was--the--the deeper i dug the more i found myself. c-span: you went to syracuse to study what? >>uesti wajun eg libals. c-: yo oomre nyeroo g: d. ntgrteoo on i got a master's degrein english at simmons. c-span: in what? >> guest: in english. c-span: so after--this is your second book? >> guest: mm-hmm. c-span: you got a third one planned? i t wer: welli do. iswait. ven ozyut nig pral but i'd like to do a civil war biography of joshua chamberlain, who was commander of the 20th maine division at gettysburg, and do just a biography covering only the three years during which servein the l spwh uewei k 's the crane influence again. it's--it's being so steeped in his war writing. also, i'm a soldier's daughter and--so i think it's the combination of--of being a soldier's daughter and coming to bun-io oare, writing th