mads mikkelsen has a background as a gymnast and dancer, mads mikkelsen has a background as a gymnastally engaging movie that has been picking up all kinds of awards, but its production was tinged with sadness. the director's teenage daughter aida died in a traffic accident four days after shooting began. he'll be thinking of that loss should he win on 0scars night. i feel it is honouring her memory and i guess an oscar would be an ultimate — uh, ultimate situation, ultimate honour of her memory. and thomas vinterberg may have a good night at the oscars. although he is not expected to prevail in the best director category, his picture is viewed by many as the frontrunner for best international feature. struggles for different kind ofjustice and stories that resonate in these pandemic times are among the themes that can be found in the five films competing for best documentary feature at the oscars. triston daley has been exploring what these films, all very strong, have to offer. collective follows a team ofjournalists investigating the deaths of people who were trapped in a bucharest

but one look at mads mikkelsen�*s sinister mayor tells you that foul deeds are afoot, which is fitting is rather like stepping in a big pile of poo. get in the boat! todd, i can't swim! you won't have to! get in! originally scripted by a now uncredited charlie kaufman, chaos walking was a chaotic production from the outset, beset by endless re—writes, reshoots, dismal test screenings and disastrous word—of—mouth. the result, which cost around $100 million, is simply one of the stupidest and most boringly inept sci—fi fantasies i have ever seen. a movie that makes the dystopian maze runner and divergent films look every bit as ground—breaking as blade runner. i'd rather stay with you, todd. i'd rather be with you. kiss me, todd. kiss me, kiss me. seriously, comparare to tom holland arguing with the animated purple haze of his thoughts, the sight of sean connery in a posing pouch climbing into a giant flying head in zardoz looks positively sensible. chaos walking is available for premium rental on all digital platforms now. in the 2002 documentary lost in la mancha, bafta nominated produ

it is partly due to actor mads mikkelsen's electrifying performance as martin, a teacher despondent hisg's also nominated for a best director oscar. but professional recognition is secondary to the personal. the film is dedicated to his daughter, ida. my daughter, who passed away during the making of this film, we made the movie for her. sort of to honour her memory. so, of course, every shine we can get, for me, it is a shine for her. oscars can turbo charge an internationalfilm's box office. bong joon—ho's parasite took $8 million in us cinemas injust a few days immediately after it scooped four oscars. this year awards are vital to these non—english language movies where promotion has been limited and cinemas closed. quo vadis, aida? by tjasmila zbanic, is film from bosnia—herzegovina. nine european countries funded her story about the massacre of 8,000 bosnian men and boys at srebrenica in 1995. events unfold for the eyes of a translator, aida. our aim is that this film is seen by many people and since nominations, we have so many requests. the film was mentioned in the media like a

it is partly due to actor mads mikkelsen�*s electrifying performance as martin, a teacher despondentso nominated for a best director oscar. but professional recognition is secondary to the personal. the film is dedicated to his daughter, ida. my daughter, who passed away during the making of this film, we made the movie for her. it is a shine for her. oscars can turbo charge an international film's box office. bong joon—ho's parasite took $8 million in us cinemas in just a few days immediately after it scooped four oscars. this year awards are vital to these non—english language movies where promotion has been limited and cinemas closed. quo vadis, aida? by tjasmila zbanic, is film from bosnia—herzegovina. nine european countries funded her story about the massacre quo vadis, aida? by tjasmila zbanic, is film from bosnia—herzegovina. nine european countries funded her story about the massacre of 8,000 bosnian men and boys at srebrenica in 1995. events unfold for the eyes of a translator, aida. our aim is that this film is seen by many people and since nominations, we have so many req

but one look at mads mikkelsen�*s sinister mayor tells you that foul deeds are afoot, which is fittingriginally scripted by a now uncredited charlie kaufman, chaos walking was a chaotic production from the outset, beset by endless re—writes, reshoots, dismal test screenings and disastrous word—of—mouth. the result, which cost around $100 million, is simply one of the stupidest and most boringly inept sci—fi fantasies i have ever seen. a movie that makes the dystopian maze runner and divergent films look every bit as ground—breaking as blade runner. i'd rather stay with you, todd. i'd rather be with you. kiss me, todd. kiss me, kiss me. seriously, comparare to tom holland arguing with the animated purple haze of his thoughts, the sight of sean connery in a posing pouch climbing into a giant flying head in zardoz looks positively sensible. chaos walking is available for premium rental on all digital platforms now. in the 2002 documentary lost in la mancha, bafta nominated producer lucy darwin captured the unfinished story of terry gilliam's ill—fated attempts to make his dream project —

it is partly due to actor mads mikkelsen's electrifying performance as martin, a teacher despondent his injust a few days immediately after it scooped four oscars. this year awards are vital to these non—english language movies, where promotion has been limited and cinemas closed. 'quo vadis, aida?�* by jasmila zbanic, is film from bosnia—herzegovina. nine european countries funded her story about the massacre of 8,000 bosnian men and boys at srebrenica in 1995. events unfold for the eyes of a translator, aida. our aim is that this film is seen by many people and since nominations, we have so many requests. the film was mentioned in the media like a thousand times more than before nominations. so i am completely aware what power is behind the oscars. yet some nominees have flourished online. the romanian entry, collective, also nominated for best documentary feature, is a story ofjournalists battling to expose corruption in romania's health service after a tragic fire. it was the most watched film in 2020 on an hbo streaming service. we would like to release in romanian cinemas two week

but one look at mads mikkelsen�*s sinister mayor tells you that foul deeds are afoot, which is fittinge kaufman, chaos walking was a chaotic production from the outset, beset by endless re—writes, reshoots, dismal test screenings and disastrous word—of—mouth. the result, which cost around $100 million, is simply one of the stupidest and most boringly inept sci—fi fantasies i have ever seen. a movie that makes the dystopian maze runner and divergent films look every bit as ground—breaking as blade runner. i'd rather stay with you, todd. i'd rather be with you. kiss me, todd. kiss me, kiss me. seriously, comparare to tom holland arguing with the animated purple haze of his thoughts, the sight of sean connery in a posing pouch climbing into a giant flying head in zardoz looks positively sensible. chaos walking is available for premium rental on all digital platforms now. in the 2002 documentary lost in la mancha, bafta nominated producer lucy darwin capturare the unfinished story the man who killed don quixote. now in he dreams of giants, she re—teams with keith fulton to watch gilliam fi