magdalena: magdalena. man: magdalena. come with me. [muffled screaming continues] [rollers clanking] [magdalena shuddering] [gasping] [moaning] [cries] [groaning] [clicking] [gasping] [exhales] [mechanical calculator clacking] woman: i can't finish it all. it's too much... [continues, indistinct] supervisor: magdalena, would you please? magdalena? [knock on door] magdalena. please help nitra. magdalena: nitra? nitra: i keep getting lost when adding expenses. magdalena: nitra? nitra: something's wrong with her. magdalena: no. no. it's--it's just been a long day. nitra: what's my name? magdalena: i, um... nitra: do you know her name? magdalena: of course, of course. i just said it. nitra: so what's her name? magdalena: i just had it. i--i said it. i just said it. i said it already. what more do you want? i-- oh, it's so hot. it's so hot in here. it's the weather lately. nitra: i told you. these people always make problems. supervisor: nitra, be quiet. magdalena: no, no, no, no, no, no problem. i--i just-- oh, i'm not feeling so well. i t

retrospectives such as moroccan photographer and filmmaker diode was on site and or cuban born artist, maria magdalena, come both phones and 5 to my time. do you have that? today's use? nothing pointed to a future as a photographer. despite the objections of her family, she became one of the 1st women to be trained at the photography school of by my cold. she finds it important to empower young people, especially women. the family to molly is loved photography. it's an artistic profession, but it's not easy to make a living from it. however, it's like this here in the body. every sunday there's a wedding. we have a lot of celebrations where the young people can take their cameras along. and if they know how to use them properly, they are the photographers a decision that is very motivating. seriously, and i'm truly impressed that more and more young people are taking out photography . but i'd like you to be even more of us know, especially more women for her colleagues is shola octo women on camera are the statement, the artist from the news, the 17th and 18th century paintings found in european museu

figured only on the construction of fish that acetone as being supported by several research teams, magdalena doable. i'm i am slowly and cooling out are investigating in a mobile lab how the residents as they should travel. they get the data from an app, which i also download directly onto my cell phone. the easiest for the next few days. it will automatically record all the routes that my camera team and i take plus info about the means of transport used and our c o 2 consumption. the young researchers also go from house to house to distribute questionnaires. we need to know what the status quo is, n monitoring continuously, because there are changes in individual behavior and single tenuously fish that spun is changing as well. so it's still under construction. i know it's one that build, so there's still a potential for the district to use new info for the next construction phase for the mix up the mobile lab shares, it's data with anyone who's interested companies, city planners, and the residents themselves. the data is especially important for the planning phase. the new district is me

muy feliz ahÍ pero lloraba como magdalena pero bueno, fuera de eso maravilloso.amÉrica" y a todo el pÚblico. nos vemos pronto nuestra gira. alan: saludos todos. pedro: que viva pedro fernÁndez y "despierta amÉrica", si seÑor! [mÚsica] [hablan a la vez] alan: dos horas y media de show espectacular. karla:pedro, perdona, Él no bailaba bien en ese momento, estuvo practicando mucho, ya que sale bien? alan: la Única diferencia es que a mÍ me falta pompa. karla: aprieta asÍ para que se debe a la pompa. alan: le tenemos las fechas prÓximamente estados unidos. gracias, pedro. karla: vuelta, vuelta! [risas] chef: estamos en todas las redes sociales, sÍguenos en instagram, tik tok, facebook y la red social x. mantente informado y revive tu segmento favorito www.despiertaamÉrica.com, el app de univisiÓn y en nuestra pÁgina de youtube. alan: deseamos que le queda perfecto el traje. y decÍa chavas quieren que me dÉ la vuelta y todas gritaban. karla: una pregunta que yo le hubiera hecho, cÓmo te metes el traje? porque estÁ muy pintado. francisca: es uno de los talentos que sie

you know all the people i always wanted magdalena walker, zora neale hurston here so ella baker's work on what was called the bronx slave, where women would stand the street and be bartered down for day work on household work and the degree to which men you know, that wasn't accessible to them in the midst of the depression. so that black women really were the only workers left. there's a richard wright story of oh, i can't remember what the is called but where he has a character male character that dresses as a woman to get that work in. the myth of the depression and is sexually attacked. the the the white he works for and so and you write about the porters as doing a manhood work. yes the porters absolutely doing a man who works so much so that the women who did porters work were also, you know, really grappling with and struggling with their own identity and their own safety in those spaces. so you're absolutely i think i see black men and women as being in solidarity and in community oftentimes i think we're overemphasizing that notion that it's easier for women or harder for men.