of the producers who talked about their films there was a former member of the sharia party, maksym firsenkona chechenina, he knows more than the word good evening, vasyl, good evening, i congratulate you and our viewers and female viewers are really a representative of the former party, the series is now a representative of ukrainian cinema at the cannes film festival, more precisely in the ukrainian pavilion at the cannes film festival at the film festival , he presented his project together with other film producers and filmmakers. we will talk about this in just a few minutes. now i will tell you about the good and positive news that ukrainian cinema continues to be financed despite all the crises, and this happens mainly at some events. of pitches that you can enter as a contest and win money, and our cinematographers managed to do it, e.e. gas station, game film yulia hontaruk got money and evil power animation by roman ilya from the genterborz fund, and ivan sautkin received funding for his film, a poem about little people from the european solidarity fund . they are almost not repres

and let's listen to what the driver says to him, rate the acting well, the main thing is that maksym firsenkond the former member of the sharia party, almost all testimonies that i saw before they are already worn out from the internet, but one thing remains on the youtube channel of the editorial office of infa and from odesa, there is an interview with him, let's listen to the excerpt i wrote in the finale of anatolia and what to do to all of these events in the 14th year was very big, and the information war was very stupid, and there were many fakes . he exposed anatolia, and he exposed not only ukrainian fakes, but also the russian helmsmen, and about the influence or not, here is the producer yuliya sinkevich yuliya we already have several for months, our film club has been criticizing cannes. it first started in berlin in the context of the fact that they continue to trade with the russians on the cannes film market , and you can hear a lot now that cannes is pro-russian or dependent on of russian money or is it sentimental? what is your opinion about this festival in the context of co