maksym golenko, general director, artistic director of the national theater named after maria zankovetska, is our guest. mr. maxim, we congratulate you. we know that you are tired, because the theater season is ending, you are about... spent this year in lviv, did you manage to implement everything you planned, that you planned, that you planned for yourself at the beginning? listen, well, recently i was looking at the list, what i promised, and i was surprised to see that we did almost everything, and there the list is not big, there are 13 premiers during this season, that's a lot, even for nationals ... of the theater is actually a complete reboot, thank god we have full halls, people crave art, especially quality art, and many new people, new actors, directors have appeared, and it seems to me that theater as a phenomenon is now in lviv is, purely zankovetsky theater, dear ones. ukrainians, if at the next election you want someone from an actor, from the acting art workshop, then there is maksym golenko, who fulfilled all 13 of 13 promises, pay attention to him, and in turbo mode, in

maria zinkovetska's love history enemies, a theater that completely changed with the arrival of maksym golenko this was completely predictable. as well as four performances competing for the best chamber performance, this is the 1900 legend of the pianist, odesa musical theater, trusting conversations, ukrainian small drama theater, club despair, and lesya ukrainka's ladder art workshop and lviv theaters, as well as cortez, kyiv academic theater golden gate, unfortunately, i don't have time to just re-watch all these performances, cortez, i i watched it, it's a comedy. about the genocide in the golden gate theater, this is a very cool production, and i think that the playwright alena lyagushonkova, she approached the issue of genocide very well, because on the one hand, it seems that our situation is mentioned, but there it's about latin america in general many centuries ago, so it doesn't feel traumatic because it's not about us, but on the other hand it's about us, it's a very good move, i think, because we talk a lot about...retraumatization , how can we shoot about the current dramatic eve

and enemies of love history were nominated. which has completely changed with the arrival of maksym golenkond it was completely predictable, and also four plays are competing for the best chamber performance, it is 1900 the legend of the pianist, the odessa musical theater, trusting conversations, the ukrainian small drama theater, the despair club, and the ladder art workshop and theater le'. lviv, as well as cortez, kyiv academic theater golden gate, unfortunately, i i don’t have time to just rewatch all these performances, i watched cortez, it’s a comedy about genocide in the golden gate theater, it’s a very cool production, and i think that the playwright alena lyagushonkova, she approached the issue of genocide very well, because there, on the one hand, it seems that our situation is mentioned, but it refers to latin america in general many centuries ago, so it is not true. it looks weird because it doesn't seem to be about us, but on the other hand it's very good about us, i think it's a move because we're talking a lot about retraumatization, how can we shoot vs. current dramatic eve

enemies history of lyubov maria zinkovetska theater, which completely changed with the arrival of maksym golenkod this was completely predictable. also , four plays are competing for the best chamber performance: 1900 legend of the pianist, odesa musical theater, confident conversations, and ukrainian small. drama theater, znevira club, and drabina art workshop, and lesya ukrainka lviv theater, as well as cortez, kyiv academic theater "golden gate". unfortunately, i don't have time to just rewatch all these performances. i watched cortez, it’s a comedy about genocide at the golden gate theater, it’s a very cool production, and i think that the playwright alena lyagushonkova, she suited her very well to the issue of genocide, because on the one hand, it seems to... the situation is mentioned, but it is about latin america in general many centuries ago, so it does not look traumatic, because it seems that it is not about us, but on the other hand about us , it's a very good move, i think, because we're talking a lot about retraumatization now, how can we shoot about the dramatic events of the pres