the creative industry podcast, our guest today is the director, artistic director theater on malaya bronnayabogomolov, we continue, this word, imitation, it, well, from what i heard in your interviews, it is inherent in the nation as a whole, well, somewhere you came across it, well, in a good way , that we have all the best, so to speak, to ourselves, now what is the situation we know, cancel culture, closed borders. something similar, while there is a rather persistent search for a cultural code, where to look for it, you know, i’ll tell you this, i’m a fan of dostoevsky, i really like his idea of the universality of the russian soul, it actually seems to me that this is a rather unique property of russian consciousness, it is such in a cultural sense, imperial in a high sense, and... it conquers space in what cultural space, in what sense, it considers everything the best in world culture is its own, russian consciousness, it wants to include all the best in world culture in itself, you know, we all grew up not only on pushkin, but on dumas, and dartanian is a russian hero, well, yes, he

artistic director of the theater on the malaya bronnaya, hello, hello, i think whoever turned on theferent emotions, how do you manage to evoke such emotions in people, such a huge vibe around your person, i just work a lot, a lot, i work a lot, everything, well, i’m not i’m not... concerned about evoking any special emotions, i just do i do my job as i see fit, and maybe it’s good that the work i do evokes different emotions, very different and joyful, and sometimes some negative and controversial ones, in any case, that’s what i always say that the best effect of a performance is when a person continues to think about him, think and think. after watching it, the performance is cool, cool, not when , directly at the moment of its implementation, it causes happiness in the auditorium, although this is also wonderful, but the coolest reaction is when a person cannot forget about the performance, when he is all time turns it over in his head when he returns to him, well, i met somewhere that you don’t be offended, even if in general the person left, no, i’m not offended, but that’s nor

with the stopping and parking rules of today began on rozhdestvensky boulevard, pipe square, malaya bronnayaand kallashnoy lane. these addresses receive the most complaints about bikers, who often leave their equipment under prohibitory signs and on the sidewalks. let me remind you that the fine for an incorrectly parked motorcycle is 3,000 rubles. well and. and throughout the entire metropolitan region there is now a high fire danger class; the may heat is not weakening its grip, but is only gaining momentum. today in some areas of the region the thermometers will exceed the thirty-degree mark, but at the same time the ministry of emergency situations has issued an emergency warning for residents of moscow and the region about rain and thunderstorms. artyom kuznetsov is monitoring the situation. cloudless sky, scorching sun, temperature corresponds to july values. the city has announced the second to last one. weather danger, a cold shower saves you from the summer heat, city services regularly wash the streets, some citizens like the heat, the weather is wonderful, i like the sun, but most

air of the creative industry podcast with us today is the director and artistic director of the malaya bronnaya did everything come from, because what we read, of course, was the manifesto of the abduction of europe, journalism, well , my performances are also often public, yes, they, in general, in one way or another always responded to what was happening around, and i really like it when people come. in the hall they get this opportunity to interact with some kind of modern agenda, and probably this is some kind of active internal involvement of mine in what is happening around me, it could not help but give birth to some kind of text, the text is the abduction of europe, it is in in general, this is also how the performance is structured, it is so tightly packed - the one that i describe in this manifesto, when i was trying to work with the value agenda of the european audience, i received such a kind of feedback from the producers even during the rehearsal process, there is no need to talk about this, oh-oh -oh, no, no, no, we don’t need to talk about this, it will come to us, what are you

in the palace on the yauza for a couple of years during the reconstruction of the theater on malaya bronnayand over the years i have developed some kind of balance - radicalism and traditionalism, and it is important for me to maintain this balance, look for a new language, but at the same time talk with people about some eternal things. which you will remember with sentiments, but to which you will not return, you will not return there to that value series, to those places, it’s cool, it’s cool, it’s crazy, it’s some kind of delusion, but you won’t go back there, and the theater is a place where a person should come and come and come, this is very important for me, so to the theater, which only young, advanced audiences come to, they will then forget about this theater. yeah, they will be 27-30 years old, they will forget about this theater, they will change their values, i hope people will come to our theater at 27, at 30, will come at 50 and 60 and so on, they will come all their lives , who are you anastasia morozova, forensic medical expert, continue, forensic medical expert morozova, w

such energy immediately came, director konstantin bogomolov, artistic director of the theater on malaya bronnayare experiencing, and bogomolov, or bogomolov, or god, bogomolov, well, in general , different emotions, how do you manage to evoke such emotions in people. i just work a lot, a lot, in order to call up some special ones , i work a lot, that’s it, well, i’m not, i’m not concerned emotions, i’m just doing my job, i’m doing it as i see fit, and maybe it’s good that the work i’m doing evokes different emotions, very different and joyful, and sometimes some negative and controversial ones, in any case in this case, i always say that the best effect of a performance is when a person continues to think about it, think and think about it after watching it, the performance. cool, cool, not when it immediately at the moment of its implementation causes happiness in the auditorium, although it is also wonderful, but the coolest reaction is when a person cannot forget about the performance, when he turns it over in his head all the time, when he returns to it, well, i met somewhere that you don’t

today, like her brother, she chose acting and plays in the theater on malaya bronnaya. to her daughter the same year she married the artist, they were introduced by a mutual friend and... as an answer: i don’t like minced meat, minced meat, i didn’t like it, but i didn’t like it, then i introduced them, came to the house and the first thing i was treated to in this house was my mother-in-law, at that time the future, a very spontaneous, charming, wonderful woman, a wonderful housewife, the first thing she said: i have cutlets, i just fried them today, but it was awkward to refuse, i i ate one and got it. it was i who got caught, and since then i ’ve been stuck for 20 years, as long as we’ve been living in seryozha. practically, for 20 years, yes, to drive ships, to fly into the sky, you need to know a lot, you need to be able to do a lot. sergei tsigal took care of all everyday worries and problems, began to live the life of his wife with pleasure, patiently waiting for her from the tour, and was not offended when he was simply called palischuk’s husband. delicious, and

industry podcast is on air, our guest today is the director, artistic director of the theater on malaya bronnaya continue. this word, imitation, well, from what i heard in your interviews, it is inherent in the nation as a whole. well, you've come across this somewhere, well, in a good way the sense that we take all the best, so to speak, to ourselves. we know what the situation is now. yes, the abolition of culture, closed borders and so on, and at the same time there is a rather persistent search for a cultural code, where to look for it, you know, i’ll tell you this, i’m a fan of dostoevsky, i really like his idea about the universality of the russian soul, so it actually seems to me that this is a rather unique property of the russian consciousness, it is... a cultural space in what sense, it considers everything that is best in world culture to be its own, the russian consciousness, it wants to incorporate all the best in world culture into oneself, you know, we all grew up not only on pushkin, but on dumas, and dartanian is a russian hero. well, yes, he is just as russian a hero as the fre

vladimir, start, let's try, leonid konevsky for a thousand at once, in 1972 at the theater on malaya bronnayathe oldest participant in the competition figured. she was the youngest participant, she was just over 11 years old. let's continue, please, winter sports for 800. this is the nickname of two-time olympic biathlon champion usha diesel, given for her speed on the track. i think my nickname is turbo. turbo diesel, right. the prize for the best coach of the continental hockey league the year before and last year was awarded to this man, who both times led cska to victory in the gagarin cup. this is sergei fedorov. further. and please, winter sports for 400. snowskate, unlike snowboard, missing exactly. you get an auction, the question costs 800, your account is 400, minus 1,300 for vladimir, 4,100 for alexander. what do you say, alexander? 200. let's play! bearings made from strong, dense bakauta wood were made in the soviet union for submarines, mainly to achieve this. the role of this pride-doha was played by leonid konevsky in the film "dartagnan" the three musketeers. absolutely right

air of the creative industry podcast, our guest today is the director, artistic director of the malaya bronnayaheater, konstantin bogomolov. let's continue, this word, imitation, it, well, comes from what i i heard your interviews, it... it actually seems to me that this is a rather unique property of russian consciousness, it is so in a cultural sense, imperial in a high sense, it conquers space, in which cultural space, in what sense, it considers everything the best in world culture is its own, russian consciousness, it wants to include all the best in world culture within itself. published a lot, supported national cultures a lot, gave alphabets and writing to small nations that did not have them, it was generally a separate a gigantic program in the twenties and thirties, thanks to which small nations inhabiting russia and the soviet union received written alphabets. in this regard, i believe that russia is a country that has. incredible friendliness, in this love, in this curiosity, in this ability to make your own the best that other peoples create, to take it into yourself, to become in

true, they didn’t leave me without work, appointing me as the next director at the theater on malaya bronnayae meeting gathered, we had, terrible, there were actors from other theaters for efros, efros, efros, nevertheless they won, and there was such a director, hares, he was the director of the theater on bronnaya, he called efros and... said: i have the opportunity to take eight people, and anatoly vasilivich efros gathered there were 12 of us, he gathered, i was filming some kind of film at that time, i don’t remember, well, they were nothing special, they came to his house, and he said, there is such a proposal, we have to choose, you yourself will participate in this, those are the ones. nine people who give us, because then gaft worked for us, and there were wonderful actors then, sasha shirvint, misha derzhavin, misha derzhavin did not play anything with efros, but they were very friendly with sasha shirvint, so if you take shirvint, then derzhavin, there can be no division here, then derzhavin, lyova durov , who came from the children's theater with his wife, if you take leva durov,

bright brand of one role . , everyone plays here, on konevsky, in linkom and in the theater on malaya bronnayagot the roles of prisoners. at first, the audience couldn’t understand anything at all. after the heroes appeared on stage, there was wild laughter in the hall for several minutes. i also took part in this play, which means, yes, mortonik and i played just one role in turn, so we this thing took place in a prison there and so on, well, yes, it caused a strong reaction from the viewer, of course, in general, of course it was for them it got in the way a little, well, lenya was also saved by the fact that he is like that, he has such a specific appearance, he is a sharp-willed actor, so after all, there were some for him... the roles in the series are being investigated by experts, leonid konevsky starred from 1971 to 2003 years, well , i started as a captain, then i was a major, since people would remember, and then i became a colonel, already as colonels for 10 years... i went to lyon, there was such a story with goldfish, which lasted 20-something... then years. many actors who are re

have a bright mark of one role, everyone plays here, at konevsky in linkom and in the theater on malaya bronnayas, konevsky and martynyuk got the roles of prisoners. at first, the audience couldn’t understand anything at all; after the heroes appeared on stage, there was wild laughter in the hall for several minutes. i also took part in this play, which means, yes, morttanuk and i played just one role in turn, so we this thing happened in a prison there and so on, well, yes, it caused a storm. the reaction of the audience, of course, in general, of course, this bothered them a little, well, lenya was also saved by the fact that he is like that, he has such a specific appearance, he is a sharp-willed actor, so after all, there were some roles for him in the series the investigation is being conducted by experts; leonid konevsky acted in film from 1971 to 2003. many actors who are recognized by one role complain about this, but we must give konevsky his due, neither during filming nor after, the actor never denied his tomin, even today he has his cell phone there is a famous melody on the phone fr

true, they didn’t leave me without work. appointing him as the next director at the theater on malaya bronnayaa director, zaitsev. he was the director of the theater. i realized that, uh, something was wrong, i say, anatoly vasilyevich, i say, i’m currently acting in a film, i can’t be useful to you in this case, i really regret it, but i would like to, he says , okay, okay, i understand, in general, they got everyone who was needed there, there were one or two people, and before as he left, he said to me and lena konevsky, as soon as there is an opportunity, they will call you, and you will come to us, we agreed, agreed, six months later suddenly a call, hello, they are talking to you in small armor, anatoriy vasilyevich would like, that means you - and to invite leonid konevsky to our theater, well , of course we took off, we came there, anatoly vasilyevich says: i congratulate you, leni me there, yes, they came, they immediately gave me a role, like her, there are two performers, olya yakovleva and to me, there was such a director vesnin, and he directed this the performance wanted us to pl

in his creative biography there were three theaters: the lenin komsomol on malaya bronnaya and gesher actually became. the face of the fight against crime, in general, if you remember, at that time there were categories of artists, there was a category, there was a category of artists who were not recommended to be filmed in negative roles, they were not prohibited, so what was it that they did not film you, everyone asks me, but how time must have passed by something like that me, but i’ve acted enough in children’s films, let’s not complain, they filmed normally, and like a lot of films with great pleasure in all sorts of fairy tales, it seems that your tomin didn’t bother you for this, no, he didn’t, there was one case, when... they had already sewed costumes for me, even at lenfilm, and approved me for the role , and then they sent me a letter from the director , apologizing, explaining at the hot council, they told him: you know, we do not recommend filming konevsky in this role, it was a dog in the past, and my friend armen, zagorkhan starred in this role, having learned that i

compliance with stopping and parking rules will begin today. on rozhdestvensky boulevard, pipe square, malaya bronnayassametyevo will follow from sovelovsky railway station. may ends with tropical heat; the temperature maximum was updated on wednesday. the air warmed up above 28°. thanks to the anticyclone, today tomorrow +28:30 no precipitation. thunderclouds will approach friday evening, showers will begin, this will cool the air a little. our news is always available on the media platform, look at the application or on the website lookm.ru, good luck. here you go, bride, the premiere, when there is a man’s plush, it’s somehow simpler, or something, i’m looking for a jackdaw now, you know where she is, i can’t help you, you i came with notices, hello, hello, yes, gal, a rich life is good for you, now my life has nothing to do with you, daw, from monday on... rtr. i declare the international rhythmic gymnastics festival open. alina kabaeva gathers friends from all over the world. we will introduce you to the culture of different peoples. we know what the truth is. young stars are future champions. te