creative industry podcast, our guest today is the director, artistic director theater on malaya bronnaya konstantin bogomolove, this word, imitation, it, well, from what i heard in your interviews, it is inherent in the nation as a whole, well, somewhere you came across it, well, in a good way , that we have all the best, so to speak, to ourselves, now what is the situation we know, cancel culture, closed borders. something similar, while there is a rather persistent search for a cultural code, where to look for it, you know, i’ll tell you this, i’m a fan of dostoevsky, i really like his idea of the universality of the russian soul, it actually seems to me that this is a rather unique property of russian consciousness, it is such in a cultural sense, imperial in a high sense, and... it conquers space in what cultural space, in what sense, it considers everything the best in world culture is its own, russian consciousness, it wants to include all the best in world culture in itself, you know, we all grew up not only on pushkin, but on dumas, and dartanian is a russian hero, well, yes, he is like that what a r

podcast is on air, our guest today is the director, artistic director of the theater on malaya bronnaya konstantin bogomolov imitation, well, from what i heard in your interviews, it is inherent in the nation as a whole. well, you've come across this somewhere, well, in a good way the sense that we take all the best, so to speak, to ourselves. we know what the situation is now. yes, the abolition of culture, closed borders and so on, and at the same time there is a rather persistent search for a cultural code, where to look for it, you know, i’ll tell you this, i’m a fan of dostoevsky, i really like his idea about the universality of the russian soul, so it actually seems to me that this is a rather unique property of the russian consciousness, it is... a cultural space in what sense, it considers everything that is best in world culture to be its own, the russian consciousness, it wants to incorporate all the best in world culture into oneself, you know, we all grew up not only on pushkin, but on dumas, and dartanian is a russian hero. well, yes, he is just as russian a hero as the french one, maybe even m

creative industry podcast with us today is the director and artistic director of the malaya bronnaya theater konstantin bogomolovcause what we read, of course, was the manifesto of the abduction of europe, journalism, well , my performances are also often public, yes, they, in general, in one way or another always responded to what was happening around, and i really like it when people come. in the hall they get this opportunity to interact with some kind of modern agenda, and probably this is some kind of active internal involvement of mine in what is happening around me, it could not help but give birth to some kind of text, the text is the abduction of europe, it is in in general, this is also how the performance is structured, it is so tightly packed - the one that i describe in this manifesto, when i was trying to work with the value agenda of the european audience, i received such a kind of feedback from the producers even during the rehearsal process, there is no need to talk about this, oh-oh -oh, no, no, no, we don’t need to talk about this, it will come to us, what are you doing for this, you want to n

creative industry podcast, our guest today is the director, artistic director of the malaya bronnaya theater, konstantin bogomolovlet's continue, this word, imitation, it, well, comes from what i i heard your interviews, it... it actually seems to me that this is a rather unique property of russian consciousness, it is so in a cultural sense, imperial in a high sense, it conquers space, in which cultural space, in what sense, it considers everything the best in world culture is its own, russian consciousness, it wants to include all the best in world culture within itself. published a lot, supported national cultures a lot, gave alphabets and writing to small nations that did not have them, it was generally a separate a gigantic program in the twenties and thirties, thanks to which small nations inhabiting russia and the soviet union received written alphabets. in this regard, i believe that russia is a country that has. incredible friendliness, in this love, in this curiosity, in this ability to make your own the best that other peoples create, to take it into yourself, to become infected with it, this is also a

, yes, a person from whom such energy immediately came, director konstantin bogomolov, artistic director of the theater on malaya bronnayare experiencing, and bogomolov, or bogomolov, or god, bogomolov, well, in general , different emotions, how do you manage to evoke such emotions in people. i just work a lot, a lot, in order to call up some special ones , i work a lot, that’s it, well, i’m not, i’m not concerned emotions, i’m just doing my job, i’m doing it as i see fit, and maybe it’s good that the work i’m doing evokes different emotions, very different and joyful, and sometimes some negative and controversial ones, in any case in this case, i always say that the best effect of a performance is when a person continues to think about it, think and think about it after watching it, the performance. cool, cool, not when it immediately at the moment of its implementation causes happiness in the auditorium, although it is also wonderful, but the coolest reaction is when a person cannot forget about the performance, when he turns it over in his head all the time, when he returns to it, well, i met somewhere that you don’t

yes, the person from whom suddenly there was such energy, director konstantin bogomolov, artistic director of the theater on malaya bronnaya say that the best... the effect of the performance is when a person continues to think and think and think about it after watching it, the performance is cool, cool, not when it immediately at the moment of its implementation causes happiness in the auditorium, although this is also wonderful, but the coolest reaction is when a person does not maybe about to forget the performance when he turns it over in his head all the time, when he returns to it. i met that you don’t be offended, even if in general the person left, no, i’m not offended, but this is normal, listen, this is normal, and people should not accept absolutely everything and agree with everything, i am engaged in the art in which it is very important to remain, as it were, balance between the desire to please, because neither theater, nor cinema, directing, acting, they are impossible without desire. and there was a moment of some slow groping interaction with the audience, when you begin to understand what a person breat