innovations from the executive director of the association of regional operators of overhaul, anna mamonovaanna, good morning. here we look the plot, everyone has the same story, it has become even worse, why is this happening, is it really not possible to provide for this in the terms of reference since last year, since march last year , the subjects have acquired the obligation of the ministry of construction of law, or rather, the obligation has acquired the authority to approve the composition of the work approved the composition. so then they tell us that there will be a certain commission that, before major renovations of the house, will meet, inspect this house from the attic to the basement and say, you really need to it’s not like just painting the walls , re-laying tiles, changing the pipes here, that’s completely different, and or vice versa, you don’t have to do anything serious, do something cosmetic. accordingly, this will push back the queue for the house, it will speed up the renovation of the house, what will happen will actually improve its quality, because our regional pr

plays metropolitan philip, that’s it how much dignity, how much nobility, how much restraint, and mamonova a brilliant actor, but he, but he transforms into ivan so much, yes, that it’s just creepy, that’s it. you see, hands are flopping in front of him, as if, and he flew a little, like an actor, felt himself, but somehow there was ambition, vanity in him, well, of course, he ’s a cuckoo, a real one, he threw everyone out of the nest, it’s me, me, he’s a pure cuckoo, but he himself, we talked about it, he laughed a lot, he really wanted to do a performance, even one that... tastes like overacting, but yankovsky there , in my opinion, is amazing, he will think that this is his dying role, you know, they thought a lot, but how to play a saint in general, the saint is silent, for me here was the image, that ivan the terrible, he is everywhere, he speaks, grimaces, and prays, he’s crying, he’s above, below, on the side, and in the middle of it, like a column, stands a saint looking... with these painful eyes at him, and doesn’t say anything, the whole movie, he was silent for me, and it makes

ptash, kadianov, vagitna mamonova. ugh. and your eyes. in a special way then , as well as the eyes of everyone who was there, this year, how many days were there when you could say to yourself, class, we did it, a lot, but not as many as we would like, in fact then it was the first exchange in which i personally took part, as somewhere in both in preparation and in practical implementation, the next such difficult exchange for me was on october 17, 2022, when... we managed to rescue 108 of our servicewomen, our charming female heroines, from russian captivity. then for the first time i met moskalkova, physically, yes, i looked into her eyes, the counter-visa, as i call her. we managed to open a direction for the return of ukrainian children, this is probably a special merit of the team, because when you return adults, well , you... you act, but supposedly the adults do their part work, you do your work, there is a good result, and the children are not responsible for themselves , and you feel an additional, well, i won’t sa

he plays metropolitan philip, that’s how much dignity, how much nobility, how much restraint, and mamonova that i understand that... he is a brilliant actor, but he, but he transforms into ivan in such a way that it’s just creepy, mind you, mind you, mind you, i had from this film some feeling that here, in the words of the poet, art ends and the soil breathes and fate, and such soil - this is not the best soil that breathes, and fate is terrible, you know, mamonov is generally an archaic person, somehow, i, that’s why when i was filming the island, i felt in him that he is generally middle ages he is some person, maybe 15, who brings him here it was carried away, yes, that’s why he couldn’t live , that ’s why he didn’t know what to do with himself, and he was all made up of some kind of muscles, like ropes, you couldn’t see them, but you can see that you know, that’s how , as they say, he was absolutely medieval with medieval attacks of rage and some kind of mistrust, that is, it was as if it was natural for him to play. at first he didn’t even really want to, because after the island, af

he plays metropolitan philip, that’s how much dignity, how much nobility, how much restraint, and mamonovahich is just creepy, that’s too much for me, i had a feeling from this film that here, according to the poet’s word, they were ending. art and the soil and fate breathe, and such soil is like that, not the best soil breathes, and fate , you know, mamonov is generally an archaic person, he somehow, that’s why when i was photographing the island, i felt in him , that he is generally medieval, he is some kind of person, maybe 15, that’s how he was brought here, yes, that’s why he couldn’t live, that’s why he didn’t know where to put himself, and he was all made up of some kind of... muscles like ropes were not visible, but it was clear that you know, that's how, what is called a vein, he was absolutely today from medieval attacks of rage and kind of distrust, that is , as if organically it was for him to play ivan, at first he didn’t even really want to, because after the island, after wild success, grandmothers kiss his hands in the subway, you know, in front of him there hands seem to f

plays metropolitan philip, that’s how much dignity , how much nobility, how much restraint, and mamonovaknow, mamonov is generally an archaic person, somehow , i when i was filming the island, i felt in it that it was generally medieval, he was some kind of person, maybe 15, who was brought here, yes, that’s why he couldn’t live, that’s why. he didn’t know what to do with himself, and he was all made up of some kind of muscles, like ropes, you couldn’t see them, but you can see that you know, that’s how, as they say, he was absolutely medieval with medieval attacks of rage and distrust, that is, it was as if it was natural for him to play ivan, at first he didn’t even really want to, because after the island, after the wild success, he got money in the subway. you see, hands are flopping in front of him, as if, and he’s a little bit, he’s like an actor,

find out from the executive director of the association of regional operators of overhaul, anna mamonova really be foreseen in the technical specifications? since last year , since march last year, the subjects have an obligation, and the ministry of construction has the right , the ministry of construction, or rather the obligation, has the authority to approve the scope of work, the ministry of construction has approved the scope of work, that is, what is roof repair, this is this, this, this this, this, this, each subject must now approve the scope of work for each. that there will be a certain commission that, before the major renovation of the house, will meet, inspect this house from the attic to basement and say, what you really need here is not just some kind of painting of the walls , re-arranging of tiles, you need to change the pipes here, this is completely different, and or vice versa, you don’t need to do anything serious, do some kind of cosmetic work there, so this will be uh push back the house queue, this will speed up the house renovation that will take place. in such