probably also introduced to the work of barbizon painters and other contemporary french artists, such as manet, whose work, in all likelihood, homer would have sought out while in paris. after his return from france, homer's subjects and the style of his work make clear he absorbed something from french art. return of the gleaner is strongly reminiscent of millet's well-known paintings. the lighter palette and two-dimensional design of homer's work at this point suggest that he may have seen manet's paintings with their strong light and flat patterns. homer's oil paintings of domestic american scenes called forth his deeper creative energies, but magazine illustrations of the same everyday activities provided his livelihood. the carefree quality of these scenes appealed to a country recovering from the civil war. americans turned to lighter concerns-- exalting the innocence of childhood, the therapy of the outdoors, the benefits of leisure. throughout his life, homer made seasonal excursions, especially to the shore in summer, to seek subjects for his illustrations and to pursue his painting.