the only marc chagall, uh, married one of the richest girls in vitebsk and belle rosenfel.her was a very religious man. maybe it was the rabbi who medaled. and uh, married, and the brand was in during preparation. at this exhibition we met his great-granddaughter anna medolle. she came to the presentation of the exhibition and it was an exhibition. here in the same seventeenth year. we realized that, probably, the love synagogue and ruins, which are located not far from our museum, probably. still somehow connected with us. yes, and we are responsible somewhere for this object. therefore, the museum has taken such a position of promoting this object to attract attention to it and the possibility of finding an investor. and when the vitebsk region completely put the object on sale, otherwise there is a resonance that the chagall synagogue synagogue in vitebsk is the only one that has survived, it will be sold almost simultaneously with this situation with the sale of the object, anna called me a medal, as at gogh it will be sold. i she is connected with my grandfather someth

00 in the morning and went to the synagogue, so to the big lubavitcher or siga , the father of marc chagallto his head all over probabilities. yes, the fact is that the artist’s family settled, here on bolshaya pokrovskaya street in 1894 the family was hasidic, and the large albaev synagogue, accordingly, is also hasidic, that is, there are all the assumptions. and there is reason to believe that this is where the family went. she is literally in the synagogue literally five hundred meters from the house of the chagall biographers. in search of lists, parishioners of the great love synagogue. studying them will give the answer to whether the man really walked specifically into these walls, but so far no, neither documents, no pre-revolutionary drawings of the synagogue photo september 1931 from the newspaper in the vitebsk proletary then such news spread, the former lubavitcher synagogue became a woodworking club. speed ​​because they sing because they dance, this photograph is the only pre-war one and it helped restore the side facades of the synagogue, and in principle helped restore hist

well, it’s true that he’s not marc chagall. but barukhovich was just aiming for a tank. expressing a general point of view, probably for many russians the criminal should be in prison. now, if it is proven, mr. dubaevich must answer. by the way, he just, as putin calls him, my izrailevich commented on the statement. putin said he had nothing to add and was not listening to anything. well, uh, let him return, if he is not in danger, if he is not afraid of anything, let him return to our country. well, we are already here. uh, our law enforcement agencies. yes, of course, they will decide to check how rosnan worked, how ral and the eu worked. well, and all those structures in which mr. uh, nathan barukhavich sagal worked. but he didn't work anywhere. anatoly borisovich chubais well, i think that here will be divided by key. it seems to me that vladimir vladimirovich’s speech was a rather serious question regarding the situation in ukraine, and he said, literally the following, that it seems as if they are throwing more and more people into the furnace of war, as if these p

it began in january 1921, when director alexei granovsky and artist marc chagall staged the first performance and it is called shalom 48-23 48 is the year 48, when the oldest actor currently working in the corpse was born. this is gennady mikha abramov, the second year - this is 23 - this is today, the artist gennady abramov guarded the shalomman, he has been serving here for 46 years, his biography is also part of the plot of the new production. and there are also episodes from the life of his collection, written all over corpses. we were going to create such an intimate atmosphere with sofas. pillows of tea, and we all sat and talked about things that started in childhood. and they moved smoothly about love. we even called psychofriction, which helped. we know a lot about each other, understand the genre of the concert, the artist and almost without makeup they play at their colleagues, predecessors and themselves as frags - this is always a connecting link of times. and frag. this is always a sign that we have a concert at the end. well, at the same time , there are such white rhymes here.