that was marc cieslak in sheffield. is one of the biggest dates in the british movie calendar. the bafta film awards are taking place at london's royal albert hall. and what better way to celebrate than by chatting to one of those nominated in the best visual effects category for their work on fantastic beasts: the crimes of grindelwald. i can't move against grindelwald. it has to be you. technically you can do just about anything these days. so i think more of ourjob, at what we're set the challenge by bothjo rowling's scripts and by david yates is is to creatively push the envelope and use the technology to aid that. we had some very specific things thatjo had written in the script, but we also had, like, newt's hospital, where it was maybe a bit, a few were more background creatures that we could go on some of the same journeys that we did with the case. but one of the key creatures was the zouwu, you know, it's fairly specifically written as like a chinese tiger—like creature. one of the animation artists built it a

that was marc cieslak in sheffield.the british movie calendar. the bafta film awards are taking place at london's royal albert hall. and what better way to celebrate than by chatting to one of those nominated in the best visual effects category for their work on fantastic beasts: the crimes of grindelwald? i can't move against grindelwald. it has to be you. technically, you can dojust about anything these days. so i think more of ourjob, and what we're set with the challenge by bothjo rowling's scripts and by david yates is to creatively push the envelope and use the technology to aid that. we had some very specific things thatjo had written in the script, but we also had, like, newt's hospital, where it was maybe a few more background creatures that we could go on some of the same journeys that we did with the case. but one of the key creatures was the zouwu, you know, it's fairly specifically written as like a chinese tiger—like creature. one of the animation artists built it and animated it and got it moving. and the

that was marc cieslak in sheffield. on fantastic beasts: the crimes of grindelwald? i can't move against grindelwald. it has to be you. technically, you can dojust about anything these days. so i think more of ourjob, and what we're set with the challenge by bothjo rowling's scripts and by david yates is to creatively push the envelope and use the technology to aid that. we had some very specific things thatjo had written in the script, but we also had, like, newt's hospital, where it was maybe a few were more background creatures that we could go on some of the same journeys that we did with the case. but one of the key creatures was the zouwu, you know, it's fairly specifically written as like a chinese tiger—like creature. one of the animation artists built it and animated it and got it moving. and then, really, it was a voyage of discovery of working out how it would move, how it would look, what its tail would be made of, et cetera, et cetera. in the script, it described it as it runs 1000 miles a day. tim and i we