there are famous pieces by marcel broyard and of course may sound a whole. based on the whole how to even close to a girlish if there was a very upper class glamorous side to me spend a whole skittish time going with machine modernist architecture doesn't always have to be austere it's not always white walls or the simple small window frames it's easy. to get one so you can be flamboyant to his muse demonstrated with his boss alone a pavilion and also with the furniture he designed for his barcelona chair exudes the same glamour and grandeur is the pavilion itself. you think that race was a straightforward person. so people who obsess about getting everything in the right place everything everything everything so very very directly from what seems like a human project let's figure out the dimensions of the human body it's all going to system to take care of that body soon it's like let's make a new body let's make architecture in front of equipment that shapes a new film and then it's like let's make a superhuman. you could never imagine that such an obsessi

gemini designed by powerhouse architect marcel broyard. we sensed a major play that there was something special about it that is what was on the us within it hadn't been touched for gives it honestly it was in terrible condition. mode somehow you could still sense the spirit of boy boy. for boy opposition the eaves and the ledges under the windows so that some light refracts below the windows and there's never any of the wrecked sunlight in the room wished for dose of the unity of actors on and start on the level nothing to chance everything has been meticulously thought through it's absolutely fascinating if you can't help but be seduced you have to give it to him hands off respect of respect. so if you see these days you don't see many elements like these in houses anymore the cube is lot has become very popular again there's lots of new houses and they're very nice but back then they put a lot more thought into what it would actually be like to live in these houses to live in them holes and under model was usually architects take cues f

this is indeed the african chair a collaborative effort by to bow house masters designer marcel broyard and textile artist contest. the good school that could chair it this year i mean even knowing. a lot of marcel proust will and i think i'll copy in one of this 3 months to the others copy it could be really you know as i see it you know i put it in a charity shop. in chizik. who just only allowed this visual to super from more than 60 years the minister was going to. this is really nice this is a ridiculous sign. it was in 1925 once the school relocated to death that bow house started to become more widely know it. from his glass fronted office overlooked the school premises. nothing escaped him including all the student goings on in the workshop next door. the students are now long gone today cloudy of heaven is the director of the powerhouse deaths out foundation. to buy a house was pretty crazy it has to be said when you look at the bar house building you can see how radical it was and then there were all these girls with short hair working together with boys all very casual it was