marcel marceau was visiting us, then it was a boom, incredible, but this can also be attributed, so toconditionally to variety art. language such a young girl very attractive, they sat down at the table, and i went to do my homework, and after about an hour and a half of doing my homework, i did all of my homework, and that 's when they let me back in, so to the table, when i approached the table, i found a very funny picture, because this girl was sitting there completely at a loss, and dad was talking to... to marcel marceau in some language unknown to me, which was a bit like german, they were very active, it turns out, they were speaking yiddish, that was completely for me, we there was a soviet family, without a clan, without a tribe, in general, i knew nothing about it. acrobats, yuri and vasily kozhevnikov, lev eliseev, a famous reciter, eric shatov, a juggler who juggled ten balls, you definitely threw out nine, yes. here we are in this home theater, there is such a beautiful little theater of the kochneva house, which is located on fontanka 41, here flax, moved in sixty-sixth

kosentsev and rom graduated from two acting courses, they united and after marcel marceau's tour, moscow wordless drama, it turns out that it was possible to convey feelings without words, so they created this theater, the experimental theater of pantomime, the artistic director, you know who it was, who was ivan pyryev, but he... because we lived opposite, i could do this business we were friends, they said: volodya, why are you moving so well, go to the theater, they brought me and accepted me into a professional troupe, this was sixty-two, oh, wow, in sixty-three i went to serve in the army, i served 3 years in the army, in the navy, or what?

because he was next to marcel marceau, etienne de croux, polunin and so on, that's such a height, and had the best teachers his teachers, his best graduates and students. i graduated from one two-year course, and almost spilled all my insides, that's how i did it, but i realized that everything, i just can't, because otherwise i have to quit the theater, quit everything, because pedagogy is such a thing when you need not to rush, but how it is... dad did to educate, to be present, to teach, how to say, to develop all this, and it should be, especially during the session for days. with special nostalgia, the people's artist also remembers her childhood. of course, i i was naughty, i skipped music school, i told my mother that the teacher was hospitalized with appendicitis, and the teacher said that i was in the hospital, i had appendicitis, i was admitted to a theater studio. of course, my parents treated such kuvarkas of my life differently, but they took me away without consulting anyone at all, well, with a bang from this theater studio, because i began to study for fs and ds. it is

marcel marceau was our guest, then it was a boom, incredible, but this can also be attributed, so to music, because after marcel's tour. morsov in general in the soviet union began such panthemic boom, and then he came to visit us soon, he was visiting dad, the management decided that it would be beautiful if this great french artist came to one of our famous soviet artists, with him came such a beautiful translator from french, such a young girl... very attractive, they sat down at the table, and i went to do my homework, and after about an hour and a half of homework, i mean i did my homework, that's it, and then they let me in again, that means to the table, when i approached the table, i found a very funny picture, because this girl was sitting there completely out of place, at a loss, and dad was talking to marcel marceau in some... language unknown to me, which was a bit like german, they were talking very actively, it turns out they were speaking yiddish, that was completely for me, we were a soviet family, without a clan, without a tribe, in general, i didn’t know anything ab

wc fields said he was the most amazing ballet dancer who ever lived, and marcel marceau said that he would never have become a mime if charlie chaplin hadn't been a movie star. once you start looking for them, you see references to chaplin's work just about everywhere you look in popular culture. of course, there are chaplin's obvious comedian descendents, like the early van or the young chevy chase, and even the manic comedic energy of mel brooks and jim carrey, but there are other impacts as well. chaplin was a compelling composer, and his smile arrangement -- this is the theme -- what played in the background for the final scenes of "modern times," became a hit record single decade later for nat king cole, and there have been some first- rate interpretations of this song produced originally by chaplin, now made famous by nat king cole, judy garland, and barbra streisand. this was also michael jackson's favorite song, and you can even look -- if you look closely at some of michael jackson's dance moves -- the recall the tram as well. chaplin was such an inspiration to michael jacks