today, my guest is the honored artist, director, artistic director of the theater practice maria brusnikinappy that you came and we also have such a topic andrey vasilievich myagkov and in what year did you enter, did you finish, then i felt bad over the years, but it was a long time ago that a film about the irony of fate was released. he was a super popular person. uh, and some kind of god for us for all and then you enter the course. it was kursovet. nikolayevich efremov andrey vasilyevich myagkov was a teacher there and also rarely recruited a teacher not a leader. no, the next course was, where, natasha was not a year old, he was the leader there, and we acted, he worked. he says that pokrovskaya worked as teachers, and the main one was recruited, efremov, but we had two groups, and we clearly divided one group was myagkovskaya, the other pokrovskaya i got into the group of andrey vasilyevich myagkov. madly, of course, so i'm glad, because he is a teacher from god, i think that this is one of my such major luck that i met this man as. teacher, it’s just that there are some people like

marina maria brusnikina. thank you thank you very much.ere i am a journalist natalya loseva and a clinical psychologist, candidate of psychological sciences mikhail horses are trying to decompose the most difficult solitaire situations in life, our current situation is unusual in that the request came from the spouse alexander hello. hello, you have arrived. hello, yes with your family problem your wife. anna is afraid of all modes of transport, she is afraid of speed, and as i understand it, anh, it has already begun to cause great discomfort, great inconvenience, this is a distinction for your life for your life there. tell me, please, natalia mikhailov please help. in fact, she is afraid of speed, comes to tantrums, comes to tears of speed, which is 120 km / h 150, she is even sometimes afraid of the sound of the car’s engine that it doesn’t start driving, the sound of the current starts to increase there, and he already starts to get hysterical, since the steering wheel is not enough, but it happens touches there. and what does it look

i have a well-deserved guest, actress, director, artistic director of the theater, practice maria brusnikinallo maria hello. i'm so happy that you came to us . andrey vasilyevich myagkov. and in what year did you enter, did you finish, then i feel bad over the years, but uh, it was a long time ago, only a film about the irony of fate came out. he was a super popular person. uh, and some kind of god for us for all and then you enter the course. it was the exchange rate. nikolayevich efremov andrey vasilyevich myagkov was a teacher there and also rarely recruited teachers other than the leader. no, the next course was, where is it, natasha is not a year old, he was the leader there, and we did it have worked. he says pokrovskaya worked as teachers. she recruited the main one was in efremov , but we had two groups, and we clearly divided one group was myagkovskaya, the other pokrovskaya. i got into the vasilyevich myagkov congress group. madly, of course, therefore glad, because he is a teacher from god. i believe that this is one of my main luck that i met this person as a. teacher, it’s just

maria brusnikina. i still think about the cruelty of the profession all the time.ch was forced to shut himself off from the world. this is their right, and these ubiquitous paparazzi, who in recent years have been tracking them somewhere anyway, they were filming not very healthy asya, sad like this and andrei vasilyevich how warm was it? here she was holding her hand all the time, well, yes, well so, here i am, you started this topic with internal culture, there really are many such people, yes, and when you come across, you start to measure yourself with these people. yes, all of us are not national explosive temperamental people, but artists are already yes, and like at the moment when all of a sudden something like this happens to you. i very often actually remember this school of andrey vasilyevich, this is restraint. and this is very rare. well, yes, it's internal. it's like respect respect for a person for people who are nearby, yes, and for themselves and for themselves. how once i sasha feklistov. and sasha too. we have a perfect classmate. he is somehow f

but i remind you that this is a podcast of letters, and my guest is the honored artist marina maria brusnikinatirlitz has never been so close to failure, gaby as a chess partner, you do not interest me in everything along the corridor. which corridor along our corridor, and where does he go stirlitz silk to muller stirlitz now we will fall asleep sleep 20 minutes in 20 minutes wake up and go to berlin it was a habit developed over the years, like the habit of watching the series 17 moments of spring, which these days celebrates its fiftieth anniversary. and we want to figure it out. why does he still attract the attention of viewers? why he survived his era and remains in ours and what he talks about, and it is no coincidence that our atmosphere in the studio corresponds to the mood of this series. yes, this is a set of items that could appear, moreover, in the series itself, and these are items not only from forties, but also from later eras, including from the seventies, when the series was filmed and when the audience saw it, they saw everything there, in general, quite familiar. and in thi