i'm maria cheremeteff the art department at city college of san francisco. and i welce you to gallery 52 where we havselected works of art to simulate a gallery or perhaps a museum setting so that we can experiment analyzing works of art. this particular program really a supplement the telecourse art of the western world. i'd like to start by aing you a question. how many of you have gone to a musm or perhaps an art gallery and stood before a work of art and lt pplexed, confused, possiblyngry or perhaps even usated and wondered, "what is it that i'm supposed to be loing at is there a particular way of analyzing a work of art? are there special features that you should look at pick out in works of art? the answer is, of course, yes. but i've had quite a number of sdents come up to me and ask, "well, how should we analyze a work of art?" today's topic is descriptive criticism. and descriptive criticism involves an analysis of a work of art. it focuses on style. and style involves formal visual elements, elements that the artist had available in order to mapula