within their own everyday lives and show break first and still lives for traits of landscapes well maria dillon normal every day subjects. the golden age do shape life in the netherlands today. artists and designers aren't the only ones who take inspiration from the past or other cultures chefs do as well and here in berlin top chefs are adding a bit of japanese spice to their calling merry creations and this thanks in part to marcus schmitz so he specializes in soya sauce paste and other fermented products and the results are quite surprising. in the production of japanese pastes like me so. a centuries old technique in which food is left to ferment containing by adding bacteria or funky the process can take years. for more than a decade the japanese entrepreneur has been a fan of the minted food. special about for me is that on the one hand it's naturally healthy but on the other you can use the process to create many new flavoring. so it's something you can use to create a totally new things this is a type of tool i don't know. there's a veritable trend for rediscovering old traditions. expl

within their own everyday lives and show break first and still lives portraits of landscapes well maria dillon normal every day subjects. echoes of the golden age still shape life in the netherlands today but design a muscle bundles they have served as a source of inspiration on many of his projects. staying with the golden age we have a masterpiece of sorts here which you have created a book dedicated to the old masters tell me about his private care about a friend of mine stephen all over the idea to make the book. it was made the book and the table and to make a book that really can live in the shadow of these works so i really want to make a super interesting book and the special about paintings is course they have size photography doesn't have size pages of size so what is big who can show that of course you see always the full image like you see in every our book then in this book. the first thing we do is you go through one hundred percent cutout so this is a cut out of the painting a real size so you are now standing basically where rembrandt stood when he was painting so you really ha