for ivan, but ivan and marichka were not lined up very much there , because, because... he lived his course by himself, a lot of people appeared at once, while ivan was still studying, he was still in the second year of the theater institute, and there was boris brandukov, he was there with his wife kateryna, there was ivan gavrylyuk with his wife myroslava, there were many more, maybe i didn’t know them exactly, and osyka and his wife too, that is, there was good company , marichka said that sometimes they even had to sleep in the bath, to sleep in the bathtub, yes, but it was really, the environment in which i got into was for me a completely different world, because in the viryovka choir , nina matvienko and i studied in the studio with the choir, then we were accepted into the choir and there in the choir we met marichka, and we, we had an environment of ukrainian folk songs, we grew up in it, we grew up in that song, we delved into it, because well... avdievskyi, an incredible, brilliant leader, conductor, and myself, and our desire, you know, to know more and more, to sing more

marichka felt everything.s his, well, i don't know, she was a part of ivan, because everything with ivan, what ivan did in his life, he could not do without marichka. i remember how she told her dream about taras shevchenko, about the fact that she dreamed that someone knocked on the house... the house, she opens the door, taras grigoryovych is standing there, and she oh, taras grigoryovych, oh, good , that you have come to us, come in, come in, and here she comes in, as if she is dreaming like this and shouts to ivan, ivan, taras grigoryovych has come to us, he is inviting, inviting, and she woke up, told ivan in the morning, ivan says, maria, well, you have a dream, and he left, left to dovzhenka's film studio, he comes back, it's evening and says, you... i was approved for the role of taras shevchenko, and he, by the way, is beautiful in this role, and i watched him, that is , how organic and how much, well, first of all. beautiful, i and one more fact that marichka, i apologize that marichka gave ivan two

well you have to to say that marichka and ivan got married in 1962, and they had nowhere to live, and had already starred in the film shadows of forgotten ancestors in the film dream, but after their marriage they lived in a dormitory . in the center on khreshchatyk there is such a passage, there was a huge apartment, somewhere with three rooms, and there was a dormitory for the choir of the verovka choir, and marichka and ivan slept there on a folding bed in the corridor, and this is because of the verovka choir, because marichka sang in the choir , because marichka sang in the rope choir, and ivan was sick there, and the director of the film came to him, divchenko, yes, the director of the film, this is the director, then the letter went missing with them, or is it his son , boris was filming him, or his father, he was ivan’s teacher, yes on the course, and he came, when he saw where ivan lives, how he is, where he sleeps in the corridor with marichka, then somehow it happened that ivan was given an apartment on zhilyanskyi, a huge 20-meter room alone, and there are 20 of them, that

marichka felt everything, marichka was his, well, i don't know, she was a part of ivan, because everythingan, what ivan did in his life, marichka was indispensable, and you know, i remember how she told her dream about taras shevchenko. that she dreamed that someone knocked on the house, in the house, she opens the door, taras grigoryovych is standing, and she, oh, taras grigoryovych, oh, it's good that you came to us, come in, come in, and here she comes , as if she is dreaming like this and shouts to ivan, ivan, taras grigoryovych has come to us, he is inviting, invite, and she woke up, told ivan in the morning, ivan says, maria, well, you are dreaming of something, and he left, he went to the dovzhenka film studio, he comes back in the evening, he says, you know, i was approved for the role of taras shevchenko, and by the way, he is beautiful in this role, i watched it. he is, that is, how organic and how, well, first of all, he is beautiful, i and one more fact that marichka, i apologize, that marichka gave ivan two books, shadows of forgotten ancestors and taras shevchenko, and well k

as usual, marichka set an incredible table out of nothing, as ivan said, in my case, marichka can make something out of nothing, here we are sat there, you know, i have never seen such free, such people, how beautiful they were. with a raised collar, here of course that handkerchief is like that, it beautifies and necessarily, he walked, of course, but how so, they tied it around his neck, i remember that he even has photos of him in a handkerchief, on a neckerchief, he wears it around his neck, so he wears a shirt sometimes, some guys, yes, some guys started walking like that, ivan was simply incredible, handsome, and there we sat modestly at the table, looking at everyone and then ivan says: girls, sing like that, well, you know, i don't know if it's god's way or what, that nina sang in the sopranos singing in the rope choir, i in the first violas. and marichka in the second altos with her incredible, deep, timbrally beautiful voice, and we sang for the first time in this house, we sang for the first time, and we knew one song, from beginning to end, all our parts, oh, come on, green

i also have one more fact that marichka, i apologize, that marichka gave ivan two books, shadows of forgotten ancestors, and taras shevchenko, and well , kobzar, and it just so happened that ivan starred in the same movie, those forgotten ancestors in the movie dream. we will definitely talk about tini, now i want to go to the missing letter, i planned earlier, but because i wanted to ask you about the actual creation of trio zoloti. keys and in the 72nd year, he already invites you to the lost gramomota and there is a lot an interesting moment, boys unharness the horses, which song begins with this song, the film begins, you sing not as a marching song, but as a lyric, so, boys, unharness the horses. lie down and rest, and this one is like a pinosa green sotkrinychelku copa. the change from a march derivative to a lyrical one is also a very mykolaichuk story, how did he, how did he come up with it, what is this, well, he asked us before the shooting, he asked the girls to sing, for some reason it was cut out in the film, we sang, oh, loosen up , he says, please say, oh, unharness, boys, hors

on, that is, but that's it everything was necessary too, not every woman could stand it, yes, but marichka mykolaichuk accepted it all, first of all, she accepted the entire family of ivan mykolaichuk as her family, yes. she accepted all of his friends as her own, and she was a constant companion of the entire company, a huge company that settled in the house, and she was also very hospitable, that's what marichka is well, this is separate, of course, it was such, you know, a phenomenon of femininity and devotion, i already said that marichka had two wings, one wing is a song, and the other wing is ivan mykolavych, his her husband, ivan, she threw for him. a chorus of ropes, yes, that’s how it was, but tell me, it’s true that she could fly from riga, she could fly from riga in order to, in order to do something, yes, for that morning she could, when in we had a free day on tour in reza, ugh, in latvia, we, marichka gets up in the morning, runs, goes to the airport and flies to kyiv, flies to kyiv in order to cook borscht at home and... wash everything, iron, kiss every shirt, it's true, sh

but marichka endured all this very steadfastly, very much, she believed in ivan, because ivan in theyst, he said to her, myst, myst... "i have never loved anyone as much as you, you mine, and she, but for some reason he called her all the time, widow mary, widow mary, widow." mykolaichuk kept saying that to her, he felt something, but he also told her the same phrase, that people like you are not left, no they leave, yes, that is, it was some kind of love story, but when ivan passed away and marichka, marichka was sometimes called widow mykolaichuk, she, she said, i am not a widow, i am the wife of ivan mykolaichuk, do you think that now, what now ... what young people are starting to look at, to be interested in, as well as shadows, and babylon 20, is mykolaichuk coming back, i think it's coming back, you know, so many people, i was at the presentation, well, watching the film about palagram, and at podoli, there is that cinema, october, so very active, there, oh, and i was watching and meeting bryukhovetskaya, larisa ivanovna, yes, yes, a film connoisseur, and when i saw i read in

stand here, and you, marichka, stand here.y have to stand next to each other so that we, no, he placed us. yes, of course. he had his vision, he had his vision, yes, he became a new man, yes. i want to separately ask about, about, the death of ivan mykolaichuk and about, about the film trizna, which was shot by vasyl viter, already after, already after the funeral, but i want to start, there actually is. the opening shots showing ivan's village of chortoria, i want to talk to you separately about chortoria and the world of his childhood, about his mother and what it meant, this is now the yard, we'll see, and what the world of the world meant to him of the bukovyna village of chortoriya, not high but not low, a leaf on the thaw. not far away , not far away, darling, in a foreign land, fall, fall, my leaf from that stick, oh, come back, my dear, stand there, i won't come back, my dear. a long way, i'll take off my hat, and so on bow down, be nice, great! many very familiar faces, we see, this is a film that was shot immediately

marichka told me, well, that ivan's mother knew everything about kobzar and read to her children, that ivan was involved in school all evenings, at carols, they caroled, but then you couldn't carol, you couldn't, and the teachers were instructed not to allow . children to carol, but they went, and once i they told, ivan told, he says that the teacher took them on the street, the children say, what are you doing, yes, this is where the salt of the council comes in, so pay the fine, three, two, two rubles each for the fine, for the fact that you go caroling, ivan gives five, in advance, yes, in advance, yes, you know that, yes, no, no, i don't know, well, i guessed, says: yes, it will be for next year, i don't i'll take a guess, so he was carved, you know, in the, er, mythopoetic environment, because this mythology was preserved very much on beech wood there, you know, all kinds of stories, this pageant in vashkivtsi, where ivan went every time, and he took part in these pageants, it's all this costumed so -and-so endless performance, even this foreign festival has nowhere to go , and he

, marichka was sometimes called widow mykolaichuk, she used to say: i'm not pretending, i'm the wifef ivan mykolaichuk, do you think what is it now, what is it now that young people are starting to look, to be interested, and shadows, and babylon 20, is mykolaichuk coming back? i think that it is coming back, you know, so many people, i was at the presentation, well , watching the film about palagrama, and in podil, there is that cinema october, such very active, there, and i was watching and meeting with bryukhovetskaya at larisa ivanovna, yes, yes, a film connoisseur, and when i saw in ogolosh, read that there would be a meeting there, i asked myself to go there. i spoke there, told stories, you know, people are very interested, after the film, after watching this film, after that, i was admitted, people asked, did you really know ivan or marichka, all that, and they asked about the keys, so , and what can we talk about now about the kyiv cinema house, there are so many people, there is such a thing creative life is raging, there i would go to the centenary of parajanov. it's just

there is another moment, a story... my name is marichka, this is my unbreakable name, which i use everywhere now, but in childhood and adolescence, no one called me that, except for my mother, er, in i myself am now speechless, i can’t say that i was masha or something, but it was like it was more mainstream and trendy and normal, and in fact i always... felt uncomfortable when i met new people people, i never knew how to introduce myself, because, well, to say marichka, it didn't seem normal at the time, masha wasn't really close to me, and when i actually realized these things and understood that my birth name is marichka, and that's normal, and it's cool, it became much easier for me to live, it was also an important stage in my life, which is actually connected with... well, with the language issue, the language is the same, well, i think that we were all destined to speak ukrainian, and what about those who are here, and when you come back to it , this is some type, this is another such puzzle in the internal consensus, well, that is, you and me i didn't switch to ukrainian, i returned

marichka shtyrbulova, teacher of dubbing courses at the gurgura studio.'s try to stress, uh, yes. relaxation, smile. in in childhood, due to the influence of her environment, she was ashamed of ukrainian. i was russian-speaking because... in the 90s, in the early 2000s, kyiv was the most russian-speaking in my environment, and unfortunately, even there it was embarrassing to speak ukrainian, and when my mother called there, i was somewhere in the classroom i walked, walked, hid to have a quick talk with my mother, and no one heard, because it was somehow not cool. later, marichka became interested in ukrainian songs, acting and speaking skills. this is a very active language, i am talking now about technical work of the language apparatus, this language is as slow as possible, not lazy, but active, and so powerful. she returned to ukrainian and began to study the art of speech. is everyone clear on this one? yes, it's clear, did it all work out? wow, that's it. the question of what i love, i will cry now, and for what, why i love the ukrainian language, o

no, well, that it was true, it was true, they even called and said: "give me ivan, give me, oh, marichka endured all this very steadfastly, very much, she believed ivan , because ivan in the last days, he said, mytsa, he told her mytsa, mytsa, he said, i have never loved anyone as much as you, you are mine, and she, and, but for some reason he called her all the time, widow mary, widow maria, widow mykolaichuk, he always said that to her, he felt something, but he already told her such a phrase that people like you they don't leave, they don't leave, yes, that is, it was some kind of special love story, but when ivan died and marichka, marichko was sometimes called widow mykolaychuk, she, she said: "i'm not a widow, i'm the wife of ivan mykolaychuk." do you think that now, what now is what young people are starting to watch, to be interested in, and shadows, and babylon 20, or mykolaychuk is coming back, i think it is coming back, you know, so many people, i was at the presentation, well , at the viewing of the film about palagrama, and in podil, there is that cinema october, so very act

marichka, i have to go out. no. speak in the national language.ussian language - second state natalya vytrenko's block is the people's opposition. at that time, the ukrainian television and radio space was full of russian-speaking ones. the ukrainian language was popularized by interested cultural figures with content, for example, they held music festivals and dubbed films, a proud panel, a chatty dog ​​wants to chat with you, no no no no, she doesn't need to see me, i just want to click her, go, go. hello pabumont, i hope my presence does not frighten you. look, i don't know what you are or who you are, but i don't care, so watch it anyway getting out the door didn't hit you on your hairy ass. who does she consider herself to be, ruzanna pysanker. in the 1990s, the entertainment tv channel ictv was one of the first to take up translation. dubbing of foreign series and films in ukrainian, voluntarily, because there were no language quotas at that time. this became the period of birth of the beloved and recognizable. ukrainian dubbing. oleksangreb

you talk about there and what did you eat, drink, discuss there in general, well, i must say that marichkan got married in 1962, and they had nowhere to live, and ivan was already a star, he had already starred in the film shadows of the forgotten.

nominees, before there were three nominees, then there were also our korizhan women and women, this is marichka poplov. skaite and myroslava berchuk, who won this award, at the moment, whoever won, didn't win, i apologize, this year, it will be a journalist, and in fact, i root for absolutely each of them, because it seems to me that these three names, they are very important in the general context journalistic, and actually in the context of what happened and is happening in 2024. three, three people, three journalists, and three of them each have their own vector, sometimes we hear, even andrey and i in the studio hear from some viewers, we can read their comments under the youtube broadcast, about what and what are you doing , just sit and talk, why do you say some unpleasant things about our government and what from... happens, why do you talk about some kind of corruption, why do you talk about some tetyana nikolaenko wrote today, by the way a good post, also a well-known investigative journalist, who in the mirror of the week worked now for censarnet, as far as i remember, and she wrote a