so these are some — marilyn monroe. so these are some of— marilyn monroe.the things we imagine in the future. but some of the things we imagine in the future.— in the future. but perhaps it's not digital — in the future. but perhaps it's not digital people _ in the future. but perhaps it's not digital people that - in the future. but perhaps it's not digital people that we - in the future. but perhaps it's. not digital people that we have to worry about but the behaviour of real ones. i to worry about but the behaviour of real ones. i think is about writing _ behaviour of real ones. i think is about writing a _ behaviour of real ones. i think is about writing a whole - behaviour of real ones. i think is about writing a whole new. is about writing a whole new rulebook to this wave interacting. this is something we are used to. i guess it is up we are used to. i guess it is up to the stakeholders involved, like you have the tech companies, have governments, and even us as a society and how we treat each other in these spaces.- other in these spaces. very litt

microwaves, muhammad ali flutter like a butterfly, it's a pity that the mustache is still alive, marilyn monroehave such extremists drunk with a cricket bat, maybe this publication of the insurance will be the last of his life, the guardian publishing house reports that the fsb plans to remove gangsters from the occupied territories, we are also very clear and have even prepared obituaries for these prominent people were killed, how? you left us in good time, kirill narusov lived a short but very mean bitch life, just yesterday you were running with a backpack, i 'm going where to spend the night, and today, finally, such found a poem we always have a balance, what can we say about you, we will remember you like that, you are a slob leonid pasichnyk was born in 1970, but yes and it is not clear why evgeny baletsky, you will forever remain in our memory as that guy from the zaporizhzhia region, nobody really knows your name that's why you will lie in my grave, we don't remember, we don't miss denys petushyn, your best years of life passed when you were working, mmm, why did you decide to live on

hi there. ..or you could have a digital version of marilyn monroe.ine in the future. but perhaps it's not digital people that we have to worry about, but the behaviour of real ones. i think it's about writing a whole new rulebook basically to this way of interacting. this is not something we are used to. i guess it is up to the stakeholders involved, like you have the tech companies, you have governments, and even us as a society and how we treat each other in these spaces. very little behaviour in the real world is guided by what's law. most of our behaviour is really guided by social norms and social constructs, and it's important that those are represented in the metaverse, and we are spending a lot of time working on that. perhaps it's best to consider steps to consider online safety and safety in the metaverse is a work in progress. the jury's still out when it comes to determining if the metaverse is ever going to be realised in the way mark zuckerberg thinks it will. meta has sunk $50 billion into its reality labs since the start of 2021. whic

all i wanted to be was to marry marilyn monroe. and that i marry marilyn monroe. i’m being given access to some of the best names in sport.— best names in sport. i'm not complaining _ best names in sport. i'm not complaining at _ best names in sport. i'm not complaining at all. - best names in sport. i'm not complaining at all. the - best names in sport. i'm not complaining at all. the best| best names in sport. i'm not - complaining at all. the best what? names _ complaining at all. the best what? names. we have got clips. do you get sick of seeing the tv clips? [10 names. we have got clips. do you get sick of seeing the tv clips? d01 sick of seeing the tv clips? do i ret sick sick of seeing the tv clips? do i get sick of _ sick of seeing the tv clips? do i get sick of it? _ sick of seeing the tv clips? do i get sick of it? absolutely. i do. why? _ get sick of it? absolutely. i do. why? |— get sick of it? absolutely. i do. wh ? ., �* , get sick of it? absolutely. i do. wh? , , why? i don't recognise the person. it's a why? i don't recognise the person. it's a dis

victoria tit on marilyn monroe is all our couple. still, let me ask you a tricky question.o? ah, but i think the difference is, well, very big. well, now on your screens the table is the final one for the stage and the final one for 4 stages. as you can see , the fight was very tense, we are all witnesses to this. and it is all the more pleasant that our coaches did not lose face. and our team tournament has poured in, the participants managed to train with the coaching staff or averbukh and with the coaching staff of alexander zhulin all the points earned participants. points were won by alexander zhulin's coaching staff friends, we congratulate you alexander zhulin, maxim stavinsky igor orshulet and this wonderful prize that alexei yagudin brings to alexander zhuln. it becomes the property of this brilliant coaching staff. four programs were given to us by both teams, both trios consisting of alexander zhulin , maxim mostovitsky and gryashuk. and, of course, you need to congratulate the team of ilya verbukh. or otherwise fucking oil alga which made up worthy competition.

here is marilyn monroe, this torrent who is uncontrollable, right?et, there was signs of sexuality everywhere in the 1950s, especially among young people. there is thihyper attention to sexualitythe importance of sexuality, but it had to be contained. for young people, through stri ding and rituals, strict dating rituals an early marriage. we can even see this in the way that fashion is changing in the 1950s. so, here we have the streets more boyish look in the 1920s of the flappers. and then you have the shoulder patted strong women of the 30s and 40s, catherine hepburn. the 50s, it was a very different kind of fashion ideal that speaks to some of the problems, or some of the tensions around sexuality. so in the late 40s and 50s, you have a move towards long wide skirts, exaggerated bust lines, a pinched waist, this is sort of the era that inaugurates the push up bra, right? this fashion created an aura of, what historians have called, untouchable eroticism. the body was made into a guarded fortress through girdles and bras that told a man to keep h

here's marilyn monroe this torrent who is uncontrollable, right?et there were signs of sexual. the everywhere in the 1950s, especially among young people. so there was this hyper-attention to sexuality this embrace the importance of sexuality, but it had to be contained for young people with through jerk dating and rituals of trading rituals and early marriage and we can even see this in sort of the way that fashion's is changing in the 1950s. so here we have sort of the straight more boyish. look of the flappers in the 1920s, and then you have sort of the shoulder padded strong women of the 30s and 40s here with katherine hepburn. and the 50s though was a very different kind of fashion ideal that speaks to some of the problems or some of the tensions around sexuality. so in the late 40s and 50s, you have a move towards long wide skirts exaggerated bus lines a pinched waist this the era that inaugurates the pusha bra, right but these fashion sort of created an aura of what a historian is called untouchable eroticism. that the body was made into a g

. >> this room we have been told marilyn monroe stayed here. >> reporter: it stretches the imaginationking through the halls, you can feel the history. >> reporter: this author chronicles the 140-year life of the hotel in her book "inside the dream palace." >> it has always represented a place where you can be anyone you want to be. if you say you are an artist, you are. everyone is accepted equally. >> reporter: it began when the chelsea opened in 1884. the idea is rooted in french phil philosophy. >> yes, it is. charles fourier thought it should be to have free, creative time. >> reporter: it was cheap? >> it was cheap. >> reporter: consider the luminaries. andy warhole, jackson pollock. >> mark twain would hold court here. >> reporter: he hid from creditors. >> yes. >> reporter: leonard cohen lived at the chelsea. so did janice joplin. they met in the elevator. >> they fell into bed together. >> reporter: patti smith and mapplethorpe. >> they had no money. >> reporter: there were dark days. punk rocker sid vicious was charged with killing his girlfriend in a first floor room. he die

this marilyn monroe dress she wore it when she sang happy birthday to president kennedy when she triedn't fit me. to me i had to lose 8 kg in 3 weeks to wear it today, of course, in words, the stars use the famous intermittent fasting diet. and that's why i don't eat breakfast. yes, i also only have green smoothies and coffee in the morning, but in private conversations, almost no one hides the magic pill. found by all the scientists who invented it. this substance has really made a revolution for patients with type 2 diabetes, such as this medicine makes the pancreas more actively produce insulin and stimulates cell growth. able to produce the hormone. side effect or what? they say that now a noticeable weight loss has become a side benefit of the drug, people around the world began to use these injections for other purposes, but in order to look slimmer, but in reality it's like a person with good eyesight. find glasses. well, for example, with -5 lenses in order to look smarter , migraine dizziness is guaranteed and vision will eventually suffer, but if the damage to the eyes is obv

and made them mean something completely different and people look at elvis and people look at marilyn monroe or elizabeth taylor and prince and s this as an entirely different message from the thing that stard it all off. and that's why he's hanging up on those ses and that's why whatever the section 4 inquiry might b, that's why it's hard to look at it and not say underfactor one, that's transformation . >> in our ew think the government might have a different view under museums but evernegrees that a museum there's going to be fair use . and there's also particar provisions made by 109 in our brf and the governments brief talkabt this separate display for museum purposesutn your, underwear i think i disagree with you is just that the display in the meuof prince is still copying and still using th goal in a way to find a copying of missile in, she doesn't have marketar she can't sue. all remedies as to museums possession and sale were waived here in the complaint, but it was all explains all we havhe is the commercial licensing but you also have a disclaimer in the second circuit and circui

photographs and ma tm mean something completely different and op look at elvis and people look marilyn monroe or elizabeth taornd prince and say this as an entirely different message from the thingha started it all off. and that's why he's hanging up on those museums and that's why whatever the section 4 inquiry might be, that's why it's hardo look at it and not say underfact one, that's transformation . >> in our view i think the government might he different view under museums but everyone agrees that a museum there's goi tbe fair use . anthe's also particular provisions made by 9 our brief and the governments brief talk about this separate display for museum purposes but on your, underwear i thini sagree with you is just that the display in the museum of prince is still copying and still using this goal in a way to find a copyinof missile in, she doesn't have market harm, she can't sue. all remedies as to museums possessi a sale were waived here in the complaint, but it was all explains all we have here is the commercial licenngut you also have a disclaimer in the second circuit and circui

and people look at eis people look at marilyn monroe, or elizabeth taylor, a prince, and eyay this hasn entirely different message from the thg at started it all off. and that is why he's hanging up on those museums. that is why whatever the ctn four, factor for inquiry might, be that's why it's hard to look at it and not say, under factor one, that is transformation. >> well, in our view, i think e vernment might have a different view under museums. but everyone agrees that, in museums, there's going to be fair use. there's also rtular provisions, mainly 109, that bothurrief on the government brief talk about that are sepatfor display for museum purposes. but where i think i saee with you is just that the display in a museum of pnt is still copying we in a way that doesn't justify the copying of miss goldsmh. sh lives on market harm, instill fair use, she can't see you. all remedies as to museums and possession and sale were waived here in the complaint. you read the complaint accurately, t was all expressly disclaim. all we have here is a commercial licensing. but you also have a dis

and people look at elvis, people look at marilyn monroe, or elizabethayr, anprce, and they say this hasn entirely different message from the thing that started it all off. and that is why he's hanging up on those museums. that is why whatever the section four, factor for inquiry might, be that's why it's hard to look at it and no say, under factor one, that is transformation. >> well, in our view, i think the governnt might have a different view under ses. but everyone agrees that, in museums, there's going to be fair use. there's also paicar provisions, mainly 109, that both our brief on e government brief talk about that are separateorisplay for museum purposes. but where i ini disagree with you is just that the display in a museum of prints is still copying we in a way that doesn justify the copying of miss goldsmith. she lives on market, harm instill fair use,shcan't see you. all remedies as to museuman possession and sale we waived here in the complaint. you read the complaint accurately, but it was all expressly disclaim. all we haveeris a commercial licensing. but you also have a