performances, marina ivanova's stargorod is the wife of a priest and , for the sake of an unexpectedn a cassock. i saw her partner in the gorky hut legends project, valentin klementiev, even in a boyish hoodie . the theater classic looks like a church attendant. ask the beard for his unhurried gait and the rich low timbre of his voice, the new court of his steering wheel, flint builds on observations. stanislavsky would be pleased down the street, here we have a very old man with sideburns. here he goes without clothes. it's just that in a suit 500 meters away, it's clear that this is a priest walking, because here's another content inside , another consciousness. wow, a deeply rooted religious it, of course, it all influences all plasticity. yes, in terms of the timbre of the voice. yes, this is an extremely interesting and important thing, but the hero of gleb's launch fire is a real engine. according to the plot of the play, i am an ingenuous deaconakhila. tries to save the body of a nameless drowned man who want to turn it into an anatomy textbook and in stargorod, a real revolut