i am very glad that i am not running this program alone, together with marina stanislavovna brusnikinakhat studio school, with us are students, our common students, these are young actors, they are just studying in the workshop of marina brusnikina and sergei shedrin, today they will not only read poetry, but will share those and stories that exist in their family, how the younger generation remembers the war, talks about war. what their parents, maybe grandmothers, great-grandmothers talk to them about, we will learn about all this today, we have two ivans, ivan semyonov and ivan zubarenko, vanya, and in your family they told you something about the war, well, here i am i was able to catch the time when my great-grandmother could still talk about some military events, so she worked in a military hospital in... semyon gudzenko and some others, and i would like to start with the fact that this topic, it seems to me, and here i’m already turning to marina stanislavna, she’s... and sometimes these are great poets, alexander tvordovsky, for example, but we don’t have the task of covering e

i am very glad that i am not running this program alone, together with marina stanislavovna.r, head of the creative workshop of the emhat studios school. and the students are with us. our common students are young actors. they are just studying in the workshop of marina brusnikina and sergei shchedorin. and today they will not only read poetry, but will share those and stories that exist in their family, as the younger generation remembers. was in a military hospital in sterletamak, then yes, she told me every time, it was very interesting and cozy to listen to, because she had such pretty cute stories happen there, but she told me these kind of snippets, the nurse, apparently, yes, yes, this is great , this is a very special topic, because war poetry was written in different years, during the great patriotic war. then, for those people who were very young during the war, the war washed over them decades later, in their memories. war is a very family topic, it is a paradoxical story, but it is precisely in the family preserves the memory of those who fought, of those who did

war... poetry, i am very glad that we conducted this episode of our podcast together with marina stanislavovnatheater, and the director - co-director together with sergei shchedrin, one of the creative workshops of the studio school mkhat, thank you marina stanislavovna, i am sure that we will see you more than once in a literary podcast, let them not talk, let them read, but... to you, our dear interlocutors, i, as always, say: consider with with pleasure, dear friends, hello, this is a podcast of witnesses of izzenstein, and his leading film historians, natalya ryabchikova and stanislav didinsky, we... talk about who and how created watched cult, famous, little-known, forgotten soviet films, this is a school of filmgoers , where we reveal the secrets of film archives and tell you why watch soviet cinema now, how to better understand it, how to find new meanings in it and get maximum pleasure from it, and today we will talk about films that were created and watched during during the great patriotic war. stanislav. where did it all start, how do we enter into this topic, how do we enter into t

yuri ekovich, come on, marina stanislavovna, please, give us the first song so that we can immediately the streak of grief, just climb into the salon. like the scythe across the river, only letska, the beauty of nazareth, the old church will fade away, throwing itself into the clouds into a cross, a sick cuckoo does not fly to sad places, a sick cuckoo does not fly from sad places. for you, on my side, every year in the flood, from the pod and the knapsack, the pious pours the flood, the rescuer and the knapsack, to the gods. malny pours under, dusty faces are tanned, eyelids smooth out the distance, digs into the weak body, saving the meek seal, clinging... it’s not the body that saves the meek va sad, the old nalma, the burning one, is trying. voices, but not the stock store, but the riverside one. only lesda pasalonka, you are a spit across the river. here is a question for the program, who wants to become millionaire, who gave yesenin a ticket to print, who did everything to ensure that sergei alexandrovich’s collection of poems saw the light, you’ll never guess, grigory efimovich

possible about different poets, then... this poem by boris slutsky, together with the students, marina stanislavovna will read later, and this poem is not the most famous, but for me it is very important. the poem is called an example. the last military spring, near point n, at the partisan headquarters, fifty of us, four in civilian reconnaissance, sappers, swordman, in the morning we watch how the village is taken, how the battalions fight against the wall. with their heads, first they were cut down by machine guns, then the bombers hit them, there is a desire, they fight, but not like that, there is not enough skill, art, and a series of attacks dies out, the whole field is covered with chenilles, the colonel, the senior in the group, like a company commander, lined us up here on the edge lands, we will teach them to liberate their homeland, who else but us will go, and we went, there were 50 of us. let’s now talk about another wonderful poet, very famous, he wrote right in during the war, this is semyon gudzenko, the author of several poems that in our generation are classical, christian, import