artist mario klingemann's memories of passersby1 was created using what is known as generative adversariallves or, let's say, they go in the store to purchase paint or canvas, i am working with materials that are standing on the shoulders of a generation of researchers. but the intention here was deliberately neither to achieve perfection nor photorealism. selling now for £32,000. it was actually the code that was bought here with a couple of screens and a wooden unit thrown in to enjoy it on. so maybe the future of appreciation of art is one of appreciation of technology as well. that was lara. now let's talk phones. and as a gee—ee—ee—ee—eek, i have been waiting a long time to be able to do this. the idea of a flexible display has been around for years and on click we have watched this story, ahem, unfold. but these things have been an awfully long time coming. we have had to wait for 0led technology that allows for flexible electronics to get to a point where it is cheap and reliable enough to survive being bent, flexed and mistreated in the real world. and this year, finally, several c