cannes' efforts to go green really impressed leading oscar—winning french actress marion cotillard, whoing thing, they really took decisions and turns that are greener, let's say it this way, and i think it is about time and it is very important that such a huge festival set an example. growing up, i never saw a clean river. invisible demons was one of the climate change documentaries unveiled at the festival, with its focus on pollution in new delhi and it brought festivalgoers some haunting images. we see ddt being sprayed in a pristine garden. we see a riverside area getting flooded by the monsoons. people melting on the road at 50 celsius. it came from a place of absolute fear and confusion and ijust wanted to find a way to create a film out of this fear. another of the documentaries, bigger than us, the one produced by marion cotillard, shows melati wijson, a young indonesian plastics pollution activist globe—trotting, meeting other campaigners engaged in a range of causes. melati has no difficulties empathising with the struggles of those she meets, all of whom are articulate and

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also there co-stars marion cotillard and adam driver out to promote their new movie, called "annette,rs like myself. if i've said it once i said it a thousand times. you never know where valuable treasures might be hiding. this was the case for one very lucky guy in maine who became the owner of a home passed down by his family. when he decided to clear out the joint and give it a new coat of paint, he discovered something incredible in a closet, a 16x16 picasso original. look at that, you guys, it's a smaller version of picasso's 1919 painting called "le tricome." experts say this was the preliminary model or sketch. it can be seen at the new york historical society worth millions of dollars. the small painting belonged to the homeowner's great aunt who loved to collect art and rare books but it sat in that closet in maine for 50 years, no one knowing its value or even that it existed. that lucky nephew just sold it at auction in massachusetts for a cool $150,000. saying in a statement, both my aunt and grandmother studied in europe in the 1920s, each enjoyed collecting objects from

it stars oscar—winning french marion cotillard. and hollywood's adam driver.e pandemic has definitely shaped movies being seen at cannes. the year of the everlasting storm is an anthology of films from seven esteemed film—makers that were made under lockdown with rigid stipulated rules. the basic rules were something like, you know, you have to shoot from your home. 0nset cast and crew will be limited to those who are with you in quarantine. and i think the theme of rebirth is really embedded throughout the film. covid—19 has changed the landscape of cinema. it is now a world of ubiquitous streaming. film festivals like cannes rooted in celebrating movies destined for cinemas face uncertain times. but if cannes lives up to its expectations it will at least over the next 12 days be showcasing excellent works from some of the greatest film—makers in the world. tom brook, bbc news, cannes. allow me to remind you that we will be live in the house of commons very shortly for a statement from the health secretary, sajid javid, where he is expected to announce change