originally staged in the ninety-second year in 1892 , and the lion ivanov's collaboration with marius pyatipo the music of the brilliant music of pyotr ilyich tchaikovsky but today is the performance of vasily ivanovich voinov. she is a famous soviet choreographer, and she has been living on this stage for more than 80 years over the years, several generations of success. fall in love with the fairy tale gofma the laying on of dumas father, and the girls masha and the nutcracker doll is the libretto at the heart of ninety- nine percent of modern productions. it seems to me from the first uh notes, you guess you guess this work. eh, there is some kind of uh new year's new year's mood, some kind of joy, some childish emotions and a feeling of a holiday, i feel like i'm home. yes, what is something such a mandatory program without this, apparently, a holiday is not a holiday. well, for ourselves, this is such a big good opportunity to play around and feel the new year's mood, because for sometimes you can’t catch it, the classical and modernist creation of the chromographer kirill simonov, the

originally staged in the ninety-second year in 1892 , but by lev ivanov in collaboration with marius pyatipc of the brilliant music of pyotr ilyich tchaikovsky. but he lives, on this stage for more than 80 years over the years, several generations have managed to fall in love with the tale of boffmann laying on dumas's father the little girl is a nutcracker. this libretto is at the heart of 99% of modern deliveries. it seems to me from the first e, you guess the notes, you guess this work. eh, some kind of eve, new year's new year's mood appears, some kind of joy for children, some emotions. and the feeling of the holiday feel like home. yes, what is something such a mandatory program without this, apparently, a holiday is not a holiday. well, for us , this is such a great opportunity to play around and feel the new year mood, because for work, sometimes you don't catch it. the tips of the classical modernist creation of the choreographer of the portable artist mikhail shulyagin, this version is closer to gorkunov's fairy tale, it has more of the gloomy german romanticism of the game librar

it was originally delivered b ninety-second year in 1892, and lion ivanov's collaboration with marius pyatip music of the brilliant music of pyotr ilyich tchaikovsky . have time. love turn off the tips is the libretto at the heart of 99% of modern productions. it seems to me from the first uh notes, you guess you guess this work. uh, some kind of new year's pre-new year's mood appears, some kind of joy, some kind of childish emotions and a sense of celebration you feel like home. yes, what is something such a mandatory program without this, apparently, a holiday is not a holiday. this is such a big good opportunity to play around and feel the new year mood, because for the work sometimes it does not catch the artist of romanticism. novok more intended for adults than children, each image here is a metaphor that you need to unravel the unexpected costumes of snowflakes, for example, not white, but black dance should be reminiscent. this production was created back in those years when makhar vaziev directed since then, he has worked in the mariinsky theater. in europe, he now serves in the bol